The sign of a confident and secure designer is one who acknowledges the strengths and triumphs of their predecessors. If you were into fashion in the mid 1990s, then there would have been no avoiding Tom Ford’s first collection for Gucci and its luxe and louche velvet suits. This collection was almost as significant as Dior’s New Look in 1947 at catapulting a brand into the spotlight. Tom Ford’s Gucci was sexy as hell.
Over 25 years later, and in Gucci’s 100th year, designer Alessandro Michele has paid homage to this pinnacle of the Tom Ford’s Gucci era and it's looking as timeless as ever. Though it would probably be cheaper buying a 90s original from a vintage seller or auction, not to mention a better investment.
Left & Below - Gucci - Stretch Velvet Jacket With Padded Shoulders - £ 2,250
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We all love a Birkenstock, that goes without saying, but they’re as ubiquitous as a Kardashian. So, if you want a comfy sandal that nobody is wearing - just yet... - let me introduce you to Magnafied.
Spied at Pitti Uomo in January, this year, these babies are Danish made with a contoured bio-cork footbeded sandal and are as bold as they are comfortable.
Some of the uppers are made from vintage or dead stock fabrics that they find in places like Los Angeles, East Germany, Denmark and Japan. They search, find, hand-pick and use these special fabrics to minimise pollution instead of making new fabrics and say this is a super sustainable way of doing things.
Every single pair is handmade and the unique fabrics can range from original Camouflage, Canvas Pendleton Woolen Mills, Cohen Mills Denim, Japanese dyed Indigo Cotton, CYC Canadian quality cotton knit, all made on legendary, skilled quality Mills from Europe, USA and Japan.
The Magnafied clogs are made-to-order. They start production immediately when you order to reduce unnecessary stock and eventually sale/waste.
Yesterday I saw a man in the Apple store on Regent Street with a Chanel Boy bag worn cross body with a puffer jacket. It looked chic and believable on a boy! It shows you how, sometimes, this smaller shape is useful for carrying a man’s essentials. Read more - Handbags At Brawn - from TheChicGeek archive.
There’s something elegant about the juxtaposition of a feminine bag and a masculine outfit. It shows confidence, but you may not want to invest too much by buying something like a Chanel. Small car, anybody?! You could get something fun and not too expensive, so this is where eBay always comes in.
If you’re going vintage, you can go luxe. Vintage crocodile is a snip - pun intended - and a fraction of modern prices. There was definitely more crocodiles in the past or they were more affordable to everyday consumers because there are so many vintage crocodile bags around.
Before you bid or buy, study the pictures, read the description and get an idea of size and style. Think about how and what you're going to wear it with and how much you're willing to spend. It also taps into the growing trend for vintage/secondhand items. New to you!
Around - £30 on eBay.
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Firmly established as London’s main menswear trade show, Jacket Required offers a chance, midway through the main buying season, to gauge the health of wholesale. While noticeably quiet on the first day - it could be the heatwave - brands were reporting a case of quality over quantity when it came to visitors and buyers. Here’s what caught the eye at Jacket Required for SS20:
Introducing menswear for the first time, Collectif, is a specialist in new vintage. Established over 19 years ago, with its origins in Camden, and now with 3 shops in London and 1 in Brighton, Collectif is offering authentic rockabilly menswear looks inspired by the 60s and 70s. Mod style knits and rocker leather jackets come in affordable price points like polo shirts for £39 and a checked wide collar shacket for £50.
While the name doesn’t mean anything specifically, UPDFG is based in Milan and is a made in Italy skate-wear label.
Founder Adam Boita was doing some research into his family name and found that Boita comes from Piedmont in the northern Italy. The ‘boita’ is a kind of box used in agriculture to spray the vines and orchards in Italy. Inspired by this, the product comes in eco-conscious ‘vegan friendly’ leather, made in China, will full provenance, retailing for £249.
After a soft launch, last year, YSC - Your Sample Collective - is a new British menswear brand of British Caribbean origins reflecting the everyman with a quality that would comfortable sit in a luxury department store, but without the price tag. New for SS20 is Portuguese seersucker and an easy to wear hybrid bomber with contrasting back panel all made in London.
Never under estimate novelty in today’s fashion landscape. Aviation 88 takes the classic flight jacket and turns it into a generous back pack for £150. Top Gun!
Atlanta Mocassin is a Portuguese-based footwear label established in 1987 specialising in moccasin type slip-ons. Hoping to push their men’s styles into the UK market for the first time, these are locally handmade in the north of Portugal use the finest materials in car shoe and casual loafer styles. Prices around £130.
With CBD being the flavour of the month in nutrition and beauty, it was inevitable that hemp would start to become more common as a resource for clothing. Australian label, Afends, says “no tree or plant species on earth has the commercial, economic, and environmental potential of hemp.” They want you to join their ‘Hemp Revolution’ in their loose basic styles, all proudly displaying their hemp origins.
R.M. WILLIAMS x MARC NEWSON
Australian made Chelsea boot specialist, R.M. Williams has teamed up with product designer, Marc Newson, on a pair of contemporary boots in a full range of colours. Retailing for an entry price of £275, they have the back tug ingeniously knitted into the side elastic.
A Sheffield based footwear manufacturer has launched its own brand of luxury trainers under the family name, Goral. Handmade with 200 manufacturing steps, the standout is the ‘Boulsover’ in Dunlop green.
FROM THE FIRST
Based around the fashion Chelsea boot, From The First, is a British brand making in Italy. Built on the concept of combining classic Italian traditions, whilst celebrating the authentic, laid back feel of early American rock ‘n’ roll culture, these boots could easily be double the price with a designer name attached. Retailing for around £400.
After a 12 year hiatus, Mephisto relaunches the ‘Jumper’ in a wide rainbow of colours. All made by hand with natural materials in that solid Mephisto way.
When I received an e-mail from the 'Jacket Maker', at the beginning of the year, offering me the opportunity of designing my own leather jacket, I jumped at the chance. I wanted something with lots of fringing. I was thinking Harry Styles meets Stevie Nicks (look just what happened at the recent Gucci Cruise show!) to wear to a festival. A few e-mails back and forth and a few months later, voila, here's my western style leather jacket in oxblood red with maximum fringing. Rock on!
I've teamed it with a vintage, dead-stock 1970s yellow blouse with beagle collars I found on eBay, my current favourite jeans from Raey at Matchesfashion.com and some practical hiking boots for all those hours flitting between the bar and the main stage. Bring on the music...
Credits - #Gifted - Fringed Leather Jacket - Jacket Maker, Jeans - Raey, Boots - Merrell, #Bought - Vintage Blouse - eBay, Vintage Neckace - eBay
Every year, the bluebells arrive to herald the end of spring, and TheChicGeek takes to the woods. The blur of blue and intoxicating smell are one of the miracles of the season and you should dress to match.
Gifted - Credits - Blue V-Neck - MG Rivers, Yellow Shirt - eBay, Tie - Dries Van Noten from Harvey Nichols, Trousers - American Vintage, Suede Loafers - Dune London, Watch - Kronaby
The horizontal striped camp collar shirt has become a staple of men’s summer wardrobes over the past few summers. It’s become a ‘Basic’ basic, if you know what I mean, but, honestly, they still look good.
I first met Scott Fraser of Scott Fraser Collection at the Goodwood Revival and he looked every bit the king of vintage he has become; sitting on his moped with his perfectly mid-century look. A stickler for the details, his own label is a fabulous collection of reproduced vintage inspired pieces and this shirt is no different.
Made from two newly-discovered 20-metre rolls of vintage fabric, perfectly wrapped and stored in the back of a mill, this ‘Lido collar’ includes two chest pockets, rear waist-band adjusters, v-split cuff details and mother-of-pearl buttons throughout. A Linen/cotton mix and made in London, the idea is to look like a walking sun-bleached deckchair this summer and this looks as good as anything made back when.
This is the best type of shopping; an investment and something originally beautiful. You already know I’m obsessed with vintage and the element of discovery and a new auction catalogue from Kerry Taylor Auctions in Bermondsey is like sartorial porn. So, treat yourself to something for Christmas. You deserve it!
Here are TheChicGeek’s picks of the sale and why:
TheChicGeek says, “Nothing is original in fashion, well, not totally. When Jeremy Scott put his wings on his adidas trainers, he could have glimpsed these gorgeous pair of talaria beach sandals. (Talaria are winged sandals, a symbol of the Greek messenger god Hermes -The name is from the Latin tālāria, "of the ankle".) Can you imagine the rest of the swimming costume?"
Lot 62 : A rare pair of Phillips' Silver Wing rubber bathing shoes, English, late 1920s
A rare pair of Phillips' Silver Wing rubber bathing shoes, English, late 1920s. moulded with maker's details to the soles, of black rubber with white painted edgings and silver wings to each side.
Estimate: £800 - £1200
TheChicGeek says, “I’m a little bit obsessed with Schiaparelli, ATM. I’ve been reading her ‘Shocking Life’ autobiography and she seems like a whirlwind of style and creative ideas and very much where we are, right now, in fashion. This is one of those fun things we take for granted today, but just look at the year it was produced”.
Lot 69 : A rare Salvador Dali for Schiaparelli 'Telephone Dial' compact, 1935.
The design of this compact in 1935 marks the first collaboration between Elsa Schiaparelli and Salvador Dali. That same year saw the opening of Maison Schiaparelli at 21, Place Vendôme, Paris.
Estimate: £2000 - £3000
TheChicGeek says, “More Schiaparelli. I get the impression any woman who commissioned an outfit from Schiaparelli would be the interesting woman in the room. It’s a shame the name didn’t have the same life as her rival, Chanel, as it would have made for much more creative fashion”.
Lot 70 : A fine and rare Elsa Schiaparelli couture 'Hall of Mirrors' jacket and matching dress, 'Zodiac' collection, Autumn-Winter, 1938-39
Presented in August 1938, it drew on two main themes - astrology and the magnificent Palace of Versailles. The seventeen massive archways of the Galerie des Glaces, each filled with twenty-one mirrors, must have inspired the baroque cartouches on this jacket front. Provenance: Vera Bowler who married John Wesley Worth on 4th May 1935. Her husband was regional Manager for Carreras Ltd., Britain's largest manufacturer of cigarettes.
Estimate: £50000 - £70000
TheChicGeek says, “Move over the Milk Tray man in this James Bond like aprés-ski outfit. You can just imagine George Best or Tom Jones in something like this”.
Lot 107 : A fine and rare Pierre Cardin man's knitted jump suit, 1969-70.
Estimate: £7000 - £10000
TheChicGeek says, “John Galliano seems to be exciting everybody at Maison Margiela, ATM, so it’s nice to see some early stuff from this British master. £1200 in 1990? That would have been a fortune”.
Lot 159 : The John Galliano 'Banana' coat showpiece, Autumn-Winter, 1989-90.
Provenance: Gifted by Mr Galliano to a friend who worked with him. The coccon-shaped 'Poiret' coat in banana-yellow Melton wool with collar formed from tall cartridge pleats (retail price advertised at £1200). Galliano described this coat as a 'punctuation mark for the show’.
Estimate: £2500 - £3500
TheChicGeek says,”It was only a fews years ago that Christopher Raeburn put inflatable rubber coats onto his London catwalk. This is pure Michelin Man and full of those 80s proportions when Issey Miyake was at the height of his influence”.
Lot 172 : A rare Issey Miyake man's inflatable rubber jacket, 1987.
An identical jacket was worn by Chris Lowe of the Pet Shop Boys in 1987 in a performance of 'Rent' on the 'Live from the London Palladium' TV show..
Estimate: £10000 - £15000
See more ChicGeek vintage picks here
Bill Cunningham’s first love was fashion, but the Big Apple came a close second. He left Boston for New York aged nineteen, losing his family’s support, but enjoying the infinite luxury of freedom. Living on a scoop of Ovaltine a day, he would run down to Fifth Avenue to feed on the spectacular sights of the window displays – then run back to his tiny studio to work all night.
Working as ‘William J’ - to spare his parents’ blushes - Bill became one of the most celebrated hat designers of the 1950s, his hats were featured in Vogue and Harper's Bazaar and worn by Marilyn Monroe and Jacqueline Kennedy. Bill’s mission was to bring happiness by making beautiful things – even if it meant pawning his bike to fund fancy-dress outfits for all his friends.
When women stopped wearing hats and his business was forced to close, Bill worked as a fashion journalist, touring the couture houses of Europe. But New York remained his home, and it was as a street photographer of the fashions of the city that he became well known, in a job that would last almost forty years.
Fashion Climbing is the enchanting memoir he left behind. Found after passing away in June 2016 aged 87, it captures the madcap times of his early career and the fashion scene of the mid-century. Written with the spark and wit of Holly Golightly, and brimming over with Bill’s infectious joy for life, it is a gift to all who seek beauty, whatever our style or status.
Left - Fashion Climbing - Bill Cunningham - £16.99
TheChicGeek says, “We don’t have the same affection for Bill on this side of the pond as the Americans, but we know him from the 2010 documentary ‘Bill Cunningham New York’, charting his life as a street style photographer for The New York Times. (I probably need to watch this again soon).
One thing to point out about this autobiography is, it doesn’t touch on his later life as a photographer. It focuses only on his early years, moving from a hat designer to fashion journalist and ends in the late 1960s.
Bill leaves his conservative Irish catholic family in Boston, who tried to curtail his creativity, via a job at department store Bonwit’s and on to New York. Bill finds himself making hats and using his imagination during the heyday of Dior’s ‘New Look’ and America’s obsession with following Paris’ lead.
Bill takes us back to a time when people applauded at fashion shows and not the one handed clap while social media-ing you get today. As delicate a bird as one of his favourite feathered creations, Cunningham projects himself as an outsider purely driven by the love of fashion. He’s exasperated by the social climbing and the following of fashion of women during this part of the 20th century.
This is America at the height of its power. Post war and the golden age of the American dream, this autobiography works through the decades when America peaked and was a powerhouse of fashion consumption and was its biggest patron. Bill must surely be the only man to combine time in the American army while sitting frow at Parisian couture houses.
This is a fun read, and, while it feels exaggerated, it is endearing and is an amusing look at America trying to find its fashion feet. Bill isn’t particularly modest though and wants to continually remind you how individual and original he is. At one point he proclaims he’s ten years ahead of fashion and how nobody gets him. Nobody wants to be ten years ahead of fashion, plus you’d think somebody would have moved into something other than hats faster if you were so ahead of your time.
The hat business dries up and he starts to use his expertise documenting the latest fashion shows and writing fashion articles for WWD. He certainly doesn't have many positive things to say about the fashion press and notes how badly dressed they mostly are.
The book charts his struggle, particularly financially, but you get a feeling his family have more money than he lets on and his uncle sounds very wealthy.
What’s interesting in the book is how things are so different, yet the same. His talk of fashion shows isn’t far off of the circus today. But, fashion has changed and that breathless wait for the next creation from a chosen designer doesn’t ring true anymore. We look, yes, but they no longer have the power with people following sheep-like.
For many, at this time, fashion is a vehicle for social standing, climbing and showing their wealth and his eyerolling at those who just use clothes for these purposes isn’t disguised. He wants them to just enjoy it for what it is, but, you can only do this if you understand fashion, and very few people truly do.
This is the Mad Men New York of parties in hotel ballrooms, social gatherings and peacocking. This is America at its most formal, yet still shows how conservative they are and yet with all the money. They would never buy anything that original or daring and that still rings true today.
This is a lite and inspiring read for anybody who gets excited about vintage fashion, women with cinched in waists and full skirts, Parisian fashion salons of the 1950s and bouji New York beach resorts."
Read more ChicGeek Fashion Book Reviews here
For those of us who want to express our taste, get something different and also, possibly, invest, vintage is the place to be, right now. I love a rummage around a vintage store or on eBay, but finding something decent, that fits, is tough, but that’s part of the fun and makes something good all that more special. Book -
One of the easiest ways of finding something special is to look at a specialist online auction and Kerry Taylor Auctions in Bermondsey is probably the best specialist fashion seller in the UK. Admittedly, it is reflected in the prices, but they aren't crazy, especially when you compare them to today's designer prices. I always have a look at their online catalogue, not only to look at what is in the sale, but also for style ideas from the past.
Here are TheChicGeek’s picks of the sale and why:
TheChicGeek says, “While I probably wouldn’t get into this dress… it’s the 1960s & 1970s optical prints that are all the rage at the moment. Just look at Dries Van Noten’s Verner Panton inspired collection for SS19 to understand how fresh these are looking right now. I'd love this print in a shirt.” See Thom Yorke in Dries Van Noten SS19 it here
Lot 202 : A Pierre Balmain couture printed organza evening dress, 1972
A Pierre Balmain couture printed organza evening dress, 1972. labelled and numbered 154665, boldly printed with 'target' medallions.
Estimate: £300 - £500
TheChicGeek says, “Vintage Tommy Nutter is very hard to come by. These aren’t particularly exciting, but, it’s the shapes you’re buying into: huge, exaggerated lapels and flared trousers. I particularly like the multiple vents on the back.”
Book - You need to read the House of Nutter here
Lot 252 : Two Tommy Nutter gentleman's wool suits, 1975-76
Two Tommy Nutter gentleman's wool suits, 1975-76. un-labelled, of similar design, the first in sage-green, the second beige, both jackets with exaggerated lapels, inverted pleat detailing to front pockets and rear; together with an original 'Nutters' hanger and photocopy showing the original owner.
Estimate: £300 - £500
TheChicGeek says, “These are a fashion museum piece, so I’d expect them to go for much more than the estimate. The late 1960s sci-fi/retro-future styles still fascinate and these are one of the iconic eyewear styles of that era.”
See more inspiration from 2001 Space Odyssey here
Lot 267 : A pair of Courrèges cream plastic 'eskimo' sunglasses, 1964
A pair of Courrèges cream plastic 'eskimo' sunglasses, 1964. signed along one arm, the solid lenses with horizontal slits, in a Courrèges plastic glasses case.
Estimate: £200 - £300
TheChicGeek says, “While this isn’t an original Pearly King outfit, and more a stage costume, the allure is the style’s place in London’s working class street culture. While an original East London ‘Pearly’ suit would be the dream, it would be hard to find one in as good condition as this one.”
Lot 381 : A good 'Pearly King' outfit for 'The Yorkshire Coster', English, circa 1910
A good 'Pearly King' outfit for 'The Yorkshire Coster', English, circa 1910. of dark grey herringbone tweed and covered entirely with pearlised buttons, comprising jacket, waistcoat and trousers with buttons by 'Scarboro Etches'; together with an original photograph and pocket map of London. Provenance: The Castle Howard Collection, ex lot 210, Sotheby's, 7th October 2003. This suit belonged to William Wedgwood Fenwick (1886-1960) who was born in Scarborough to Methodist parents. He wanted a stage career and went to London where he trained as understudy to the performer Albert Chevalier. Eventually due to pressure from his family he returned to Scarborough where he opened a draper's shop. He used to entertain friends wearing this suit.
Estimate: £350 - £500
TheChicGeek says, “Pre-20th century items have a preciousness knowing that the majority of clothing or accessorises fell apart through wear and never made it through the decades of time. These pairs of braces are really cute and show the whimsy in menswear going way back into history. These are pure dandy and would be fun to wear, if the condition allows.”
Lot 419 : Three pairs of men's braces, mid-late 19th century
Three pairs of men's braces, mid-late 19th century. comprising: petit point pair with motifs including matadors, galleons, native figures with feathers; another pair embroidered with forget me knots, both with elasticated and leather straps; a woven blue and white Edelweiss patterned pair; and a single poor condition petit point panel.
Estimate: £250 - £400
TheChicGeek says, “This is giving me pure Gucci vibes, especially the yellow one. Saying that, Michele’s probably already ticked these off his list of references and he’s already ransacked Northern India from the first half of the 20th century for SS17!!!!”
See more about this AW18 season’s trend of Balaclavas here
Lot 464 : Two quilted hats, Ladakhi, Northern India, first half of the 20th century
Two quilted hats, Ladakhi, Northern India, first half of the 20th century. the first of golden-yellow silk damask; the second in black velvet with fauna stems stitched in gilt thread; both lined in red cotton. This style of hat is worn sitting high on the crown of the head, with the flaps curving outwards, during festivals.
Estimate: £100 - £150