No creative worth their salt will ever admit to being out of ideas. Even no idea is an idea these days. Collabs. have become the go-to to fill the gaps in fashion’s creativity and its continual appetite for product over the past decade. Two empty heads are always better than one?
Fashion is a cycle and like the Ouroboros, an ancient symbol depicting a serpent or dragon eating its own tail, it goes around and around. But, today, that coil has become so tight it has almost devoured itself. In a ‘pop will eat itself’ moment, former rivals are now collaborating and even swapping creative roles, while retailers, desperate for new ideas are trying to incubate new designers, labels and ideas to fill the ideas vacuum.
Is fashion officially out of ideas?
The biggest ‘hacking’ of the season, (not a collab. anymore - FYI), was the tie up between Balenciaga and Gucci. Both Kering brands, and in Gucci’s centenary year, Gucci’s ‘Aria’ collection, meaning air in Italian, featured no-doubt sell out product the resellers will only dream about.
Left - Balenciaga & Gucci's 'Hack' in retail form
Tagged as Balenciagucci or (Gucciaga), the internet blew up in April when Alessandro Michele added Balenciaga’s silhouettes and branding across Gucci product.
Two of the biggest and most desirable names in luxury fashion merging like this is unprecedented. A classic Jackie bag was emblazoned with the diagonal Balenciaga font, while Balenciaga’s Triple S was reimagined with the recognisable Gucci Flora print.
If this wasn’t enough rehashing of ideas, the collection also mined the famous Tom Ford era of the mid to late 90’s, reproducing some of his vintage looks from the Gucci archive. Balenciaga’s creative director, Demna Gvasalia said on Instagram Stories after the Gucci show with regards to the homage to Tom Ford’s Gucci. “It really defined the decade in fashion, I think. But I love how today everything mixes in together — ’70s, ’90s, ’00s, etc. Anything is really possible and fashion is such a melting pot of the past, present, and future. That’s what makes it so special and intriguing I guess.”
This product will be in great demand - it isn’t currently available on the main Gucci website - and is therefore guaranteed that it will be swapping hands for a premium when it enters the market. While fun, it does a reek of an ideas cul-de-sac.
Mario Abad, Fashion Editor at Paper Magazine wrote on Twitter (Nov 8th) “Something about Balenciaga tagging their stores with “Gucci” to mark the collab’s launch is making me lose it.”
The biggest ‘swap’ of the SS22 season, (not a collab. anymore - FYI), was Fendi by Versace, Versace by Fendi. Donatella Versace and Fendi’s Kim Jones swapped roles and designed collections for each other’s brands. Versace and Fendi, Capri Holdings and LVMH brands, respectively, unveiled “two iconic collections that celebrate their friendship and the cultural impact of Versace and Fendi.”
Right - Versace's Medusa looks very natural with Fendi's Greek key
Labelled ‘Fendace’, the collection saw Fendi directors Kim Jones and Silvia Venturini Fendi create 25 Versace looks while Donatella Versace reciprocated with 25 Fendi ensembles. Items included Fendi Baguette bags with Medusa heads and Versace’s signature safety pins scattered across Fendi looks all set to hit stores next spring.
Considering Kim Jones only joined Fendi as artistic director of women's collections in September 2020, we’ve yet to clearly see what he can do with the brand. He is also men’s creative director at the giant, LVMH owned, Dior. Fashion conglomerates are finding it increasingly hard to attract big names designers to their houses. Note Daniel Lee just exciting Bottega Veneta.
Left - Kim Jones & Donatella Versace at the launch of 'Fendace'
On the retailer front, MRPORTER.COM announced a competition to find the next menswear design stars to celebrate its 10th anniversary in April 2021. Called MR PORTER FUTURES, the three lucky candidates could not already own a registered or trademarked business with an annual turnover of over €10,000 and was open to anybody regardless of experience of background.
Sam Kershaw, Mr Porter buying director, “We have always been committed to championing a diverse mix of new and emerging designers throughout Mr Porter's decade in business, but if this year has taught us anything, it is that we have the responsibility to use our global platform to give equal opportunities to all new aspiring menswear voices, no matter their experience or background”
Announcing the winners in September 2021, MRPORTER said. “Fashion, after all, can be a tough place to succeed, and, if we’re being honest, isn’t quite as diverse as it could be. For all that it speaks to a global audience, the industry that drives it is largely centralised in just a handful of cities – historically New York, London, Milan and Paris – while talent is disproportionately drawn from a small number of high-profile schools.”
The winners began a year-long design programme to turn their ideas into reality. At the end of the year, they will debut their very own menswear collections exclusively on MR PORTER.
Exclusivity is the way forward for multi-brand luxury sites all battling for the same customers. This also offers MR PORTER the potential of a fresh wave of ideas and a newness that isn’t just another collaboration. It also looks as though it is supporting the fashion industry and diversity.
Another brand desperate for cool is Tiffany & Co. A much-rumoured high profile collaboration between Supreme and Tiffany & Co. is set to drop this week.
Right - Would you return this to Tiffany? Tiffany & Co.s collab with Supreme
The VF and LVMH owned businesses’ collection called ‘Return To Tiffany’ is inspired by pieces originally launched in the 1960s and comprised of pendants, necklaces, bracelets, earrings, rings, and keyrings. Tiffany’s new CEO, Alexandre Arnault, was also the head of Rimowa when they did a collaboration with Supreme.
Fashion consumers have reached collaboration fatigue and this is why the big brands are spinning these as ‘hacks’ or ‘swaps’. It is also why they are upping the ante by partnering with brands of equal stature. Collaborations needed to get bigger to have any impact. Collaborations before were always a David and Goliath type relationship of big brand supporting little. There was no threat there and everybody knew who was the bigger and more important of the two. Where will the brands go from here?
These do look like a desperate grappling for new ideas and attention. Brands not coming up with fresh ideas and therefore not impressing the retailers is making them look elsewhere to nurture a new crop of ideas and designers, especially outside of the main fashion capitals. Considering fashion had something of a pandemic break, for the last 18 months, the latest round of shows in September didn’t feel like a group of creatives burgeoning with fresh ideas. It felt like an industry fully burnt out and these partnerships do nothing to argue against that.
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The UK’s leading online store for limited edition sneakers and high-end streetwear, The Edit LDN, today announced the opening of its first ever UK boutique store in Harrods.
The Edit LDN is a leading online destination selling the hottest and hardest to get sneakers and streetwear from brands including Yeezy, Jordan, Off-White and collaborations through to Supreme, among others to a wide community of fashionistas, collectors and investors.
Moses Rashid, founder and CEO of The Edit LDN commented: “We want to expand and increase accessibility for people who want to own limited-edition sneakers around the world. Being the first sneaker reseller in Harrods is a proud and milestone moment for the company and its great to see such a global mega brand engaging with the sneaker market, moreover, that we're the catalyst to make that happen. Harrods offers an amazing customer journey to their global customer base and this aligns completely with our approach to offer the best in class service. In 18 months, we have expanded our community of buyers from avid sneaker fans to TV and film celebrities as well as professional footballers and royal families around the world. Opening in Harrods is a logical next step as we bring our unique proposition to their customer base”.
The Edit LDN has established itself as a trusted source of authenticated and high quality new and pre-loved streetwear and sneakers.
Simon Longland, Head of Menswear at Harrods commented: “Over the past three years, menswear at Harrods has undertaken a huge transformation, that has been visible through our brand curation as well as the physical shop floor. Our goal has been to transform the menswear experience at Harrods and embrace the most important and desirable trends on the market, and the launch of The Edit LDN continues that strategy. Bringing The Edit LDN’s industry expertise to Harrods ensures that our customers have access to the latest and most exclusive styles on the market through a service level which is unmistakably Harrods.”
Looking ahead, Moses added: “This is a marketplace worth $6bn a year globally and will grow 5x by 2030. The demand for sneakers is growing every day and we are at the heart of servicing this trend. It’s been a remarkable 18 months since we launched to now opening in Harrods, the world’s most iconic department store. We are in hyper growth and headed in the right trajectory as we scale the business globally. Our on-going funding round will enable us to move faster and achieve our goals“.
Founded in 2020, The Edit LDN has quickly become the UK’s leading online consignment store for limited edition sneakers and high end streetwear, both new and pre-loved items. Their innovative platform connects premium resellers to a global audience offering a deluxe experience from discovery, packaging and delivery. Brands include Jordan, Yeezy, Louis Vuitton, Dior, Off-White, Supreme, Fear of God among others. The platform is fast becoming synonymous with speed of service, authenticity, diverse selection of secure payment methods, and first class customer service.
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The bum bag or fanny pack, call it what you will, has been on the cusp of style acceptance recently. Teetering on the brink, it finally came thru this season. YAS! Now, it feels right. It could be all the 90s sportswear or its practicality, but from designer to high-street to online we’re seeing the renaissance of this hands free solution.
Left - Jared Leto Guccifying his bum bag
It's perfect for festivals or when you want some extra security. You can wear it two ways: the classic around the waist or, like the kids, across the body.
Left - Louis Vuitton - Géronimos - £775
Below - Streetstyle cross body inspiration
Left - Weekday - Nylon Bumbag - £20 from ASOS
Left - Herschel - Khaki Orange Cross Body Bag - £45 from Topman
Far Left - Eastpak - Springer Bonded Blue - £22
Left - Jack Russell - £305
Below - Supreme X Louis Vuitton, Louis Vuitton AW17
I recently went to Berlin, for their fashion week, which is dominated by two trade shows, Seek and Premium. I know Berlin is the city of the young hipster wanker and far from the bourgeois idea of fashion. Always has been. But, watching a young guy in adidas trackie bottoms, an old tour T-shirt tucked in and a fake looking GG monogrammed Gucci hat, it’s pretty clear that fashion, ATM, is looking like ‘cool crap’.
Pioneered here, but spreading: it’s about found, second-hand, vintage, charity and everything that is the opposite about looking expensive and ‘designery’.
Left 'Pensive Crap' at Seek in Berlin - Cap - J Crew, Sunglasses - Vintage Gucci, Top - Umbro
It’s been coming a while, and it’s something the fashion industry struggles with, because making something shiny and new is what they are used to. Plus, why buy something brand new when you want it to look old?
It’s about mass produced old items looking old. This isn’t the Gucci idea of decadent vintage. That’s over.
I know Italian brands have been doing ‘pre-distressed’ for donkey’s, and it’s always looked a bit crap. Ripped jeans, anybody? But, it was interesting to see brands, such as Pony and Valsport, doing options of trainers looking like you’ve been wearing them for months.
Right - Pony distressed for SS18
Even if you buy something new, you style it in a way which looks old and not cared about. Maybe that’s why we’re seeing collaborations such as Louis Vuitton and Supreme in order for these brands to look less expensive, even though the prices say something else.
Some brands only know how to do new and this is leading to people raiding wardrobes and rediscovering things they used to wear or asking parents for their old sportswear. Hoping they've hoarded it.
Menswear is really experimenting in this area and the worry of looking bad is over, as that’s really the point. It’s about looking like an America tourist from 1985 or a post-Soviet Russian, aping western brands, circa 1994.
Could be a hard sell, or no sell at all, and this certainly won’t help the struggling fashion industry.
Below - Valsport SS18 worn look, Never too old for Vetements SS18
Streetwear is all the rage and it seems as though everyone is trying to create their own clothing line these days. Even so, there are still plenty of streetwear designers that are making some of the most fashionable clothes this side of the catwalk and you'd be amiss not to take advantage of these exciting creators. Here are a few of the brands that you should be paying attention to if you're not already:
It felt as though this British skateboard label came out of nowhere in 2010 to quickly become one of the hottest streetwear brands on the market. Known as much for its irreverent sense of humour as it is for it incredible clothes, Palace has gone from a flash in the pan to a fashion mainstay. Palace will also be doing a new collaboration with Adidas this year, complete with fresh new shoes and a range of other apparel and accessories.
Supreme is one of the most iconic and respected skate brands out there and they continue to kill it today. The legendary box logo is a badge of honor and the company continues to put out incredibly fresh clothes year after year. It was recently revealed that the latest collaboration for Supreme would be with the legendary thrash-metal band Slayer in a collection that will include jackets, sweaters, shirts, and more based around some of the band's classic albums.
Stussy is another classic street brand that has managed to remain hip and relevant throughout the years. The brand was founded back in 1980 and it's hard to believe a 36-year-old label can stay as fashionable and with-the-times as Stussy is today. With a wide range of T-shirts, sweats, jackets, and more the name is one of the most recognised and beloved in street fashion and is a must-have for anyone trying to rock the style.
Mishka has been a hot name in the NYC underground fashion scene for some time now, but their irreverent riffs on pop culture combined with cutting edge street style has made them popular throughout the world as well. The streetwear company and record label was founded in 2003 and continues to be wildly popular in the hip-hop community with its eyeball logo keeping watch over New York's streets.
The 32-year-old Russian designer has taken the fashion world by storm, and if 2015 was when Gosha made a name for himself then 2016 is when he really took off. Rubchinskiy opened the Vetements SS16 show and shot this year's holiday campaign for Topman. His takes on classic American '90s street style is both ironic and original and the designer has established himself as one of the preeminent streewear stylists of today. Even better, Gosha's clothes are remarkably affordable for a label with such a high profile, thanks to his emphasis on being accessible to the youth trying to buy them.