Has the fear truly gone when there is nothing to miss out on? The anxiety inducing reason to exist for FOMO, or the fear of missing out, disappeared thanks to COVID 19. Poof!
In lockdown, nobody was doing anything, going anyway or seeing anything that you need worry yourself about missing out on. What a relief! *exhales* It was a great leveller.
Fashion has been one of the main pushers of FOMO. Hinged on social media, the fulcrum was this idea that everybody was having a better time than you and you needed all this stuff to go with it. The positive side of it suited marketers.
FOMO was the reason you often left the house, the reason you justified needing something that you really didn’t and then pushing the continued momentum on of FOMOing others through your social media channels. LOOK AT ME...
COVID 19 has been one giant reset button, and while people will document their lives, which inevitably will induce some type of FOMO, it won’t have the intensity or the choreography as before. The obsessions with far flung places and life filters was waning anyway. Influencers all looked the same and seemed to do the same things. “I shop therefore I am” became very different when all you were allowed to buy was food and medicine.
I don’t buy into this idea that the world will be radically different. The world is elastic and will spring back into some shape that was recognisable from before. What has changed drastically is the economy. This will be the catalyst. A great recession that will take years to get over and, when out the other side, things will look different. It will be crass to be too show-offish, too material, too extravagant, too pricey - will we see designer logos minimised? - in lean times. It will bookend the 21st century’s teen decade and be a full stop to the look-what-I’ve-got culture which dominated much of the past decade.
It’s the art equivalent of installing escalators into museums and turning them into shopping centres. It was such a visual decade with nothing to be repeated. Disposable. The luxury brands will morph, like they always do, and ones who can repackage this new environment will profit, again, like always. This isn’t wishful thinking, like less pollution and people thinking greener about what they buy, it is a reaction to an action, which, when many people will be unemployed or struggling to make ends meet, FOMO is the last thing they'll need in their lives. This digital window will look dated and tease-like to many. It will be a turnoff.
FOMO is often seen as a fun positive, like seeing what your friends are doing etc., humans are naturally nosy, and used in advertising as a trendy term, but it’s a fine line and this anxiety, "a desire to stay continually connected with what others are doing”, - defined by Wikipedia - can spiral into pressure and a feeling of inadequacy. It was fast and people’s lives have slowed. Money was often the cause of things speeding up. People have appreciated more time and witnessed the little things in nature during these past few months like they’ve never had time to do in recent memory.
Life was a reason to generate ‘content’ before and this content overload just kept getting more demanding. Images can go back to being memories and records rather than a competitive hustle. We had JOMO, joy of missing out, before, as a reaction to FOMO, but I think we’ll be happy sitting somewhere between the two.
At the recent European men’s AW20 fashion weeks and trade shows and there was the perennial talk of what’s next. Branded booths full of fur-trimmed arctic parkas and look-at-me colourful chunky trainers didn’t really give an indication of the next big direction in menswear or fashion in general. Talk of tailoring’s recent return and the variations on the duck boot didn’t really satisfy the over aching question of “What’s the next big trend/idea?”.
Left - GH Bass putting a comfort spin on the classic penny loafer for AW20
When you think about the regular, engaged and fashion buying consumer, what’s the overriding trend of the past decade? It’s comfort. While it started with the dreaded term ‘athleisure’ creeping out of the gym and into people’s wardrobes and then exploded into sportswear, in general, people really connected with the laziness of it all and they’ve got used to it. There’s no going back. Items that are easy to put on, easy to wear, easy to take off, morning to evening, are really the driving force of people’s purchasing decisions. Asking people to be uncomfortable again for fashion’s sake is never going to return. Never.
You don’t realise how used to uncomfortable we were until you give yourself a rare reminder of what we used to wear. And compared to our historical forefathers it was certainly nothing in comparison to those days of being trussed up like a turkey. Even a regular pair of cotton denim jeans feels uncomfortable and such-an-effort to put on without any stretch and an unelasticated waist. The genderless meeting in the middle of sloppy oversized clothes and sports shoes is the perfect example of all this. When was the last time you saw a women hobbling along in uncomfortable high-heels? And good riddance to that too.
Sportswear is currently fulfilling this need, and brands with product outside this genre can no longer wait for the pendulum to swing back to them. They have to get involved. For example, GH Bass, long the custodians of the classic, leather men’s penny loafer has incorporated an Air Max type air bubble sole to their shoes for AW20. Okay, so I know we’ve had shoe/trainer hybrids since the early days of Prada Sport in the 1990s, but this is less about trend and more about getting people to make the leap from trainers back to something resembling a traditional shoe, rather than previously the other way aroun
Right - Fitness Influencer Joe Wicks wearing trainers on his wedding day
Every major shoe trend of the last few years has been related to a slipper. Every Croc to Ugg to Vans to slider is basically an outdoor slipper. It’s all about comfort. The JOMO/Netflix Generation are having to be enticed with a outdoor sole just to leave the house and even then it has to feel the same as if they were indoors.
There’s also a psychological thing going on here. If something feels or looks like an effort, then it is instantly rejected by the consumer. Certain items, fabrics and styles are associated with discomfort. People want clothes and accessorises then can forget about, aren’t conscious wearing and are instantly comfortable. Long gone are the days of expecting customers to wear or break something in. For example, there were many hiking boots styles on offer for the Autumn/Winter 20 season, but looking all the many laced eyelets and thought of having to wrench your foot in and out, has you reaching for the nearest tent mule no matter how beautifully patinated or light they are.
While this all relates nicely to the current sportswear domination, and the two go hand-in-hand, this idea will resonate and underpin any future fashion styles or trends. Whether it’s preppy or more formal clothes, the underlying trend will be comfort. There are generations of young people who don’t know anything different. Fashion has to be realistic and the future is comfortable. The visuals can change, the looks will morph, but this macro trend should be the starting point for any brand or designer hoping to appeal to the mass market. You only had to look at fitness guru Joe Wicks getting married in his trainers this past summer to see how far this has all infiltrated formal scenarios. The shoe makers of Northamptonshire must have been crying into their Cherry Blossom when they saw that. But, he obviously wanted to be comfortable on his big day and it also reflected his brand and personality.
This idea is an overarching trend in fashion. What started with sports could end anywhere. What’s next in fashion nobody's really sure, but one thing’s for sure, it ain’t discomfort.
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