You know times are tough when you have to sell your Jeff Koons dog. This is the predicament Amy Adams, the lead in Tom Ford’s latest film, Nocturnal Animals, finds herself in as her relationship falls apart.
Left - How many redheads can Tom Ford get into one film?! The lead, Amy Adams
An art dealer, this perfect redhead lives in her perfect Neutra-style house with her perfect looking husband (Armie Hammer). All very 'Tom Ford' so far.
I was never a big fan of Tom Ford’s first film, A Single Man. While it looked beautiful, I didn’t really care about the characters and, ultimately, that’s what a good storyteller will make you do. The film was more a long commercial, while Nocturnal Animals has less fashion, isn’t so design obsessed and is divided into two opposite parts: a warm, violent, poor, rural Texan story and a cold, harsh, rich and clinically urban story and leaves you wanting more.
There are three main storylines running throughout the film albeit with a slightly confusing timeline, but Amy Adams and Jake Gyllenhaal hold it all together.
Right - Michael Shannon as the police officer & Jake Gyllenhaal as the witness
For somebody with Tom Ford’s taste you’d think he’d exercise more subtly. The art is big-hitters like Koons or Damien Hirst, the Republican mum has Margaret Thatcher hair and one of the main jarring moments, a wanky art gallery assistant is wearing something that felt more Ab. Fab 'fashion' than believable and her flippant attitude really rammed home the vacuous point. None of these things really add anything. But, these are minor points. What the film majors in is suspense, in spades. It’s the suspense that draws you in and nervously keeps you there. The Texan bulk of the film is of the raw Steinbeck variety that is scary in its lawlessness, but doesn’t romanticise it. There are the big Texan vistas, but it is for more a sense of place than a cinematography award.
Aaron Taylor-Johnson plays the ringleader of a gang who bullies, rapes and murders. Michael Shannon is great as the police officer and Armie Hammer is the ice-cold husband. The soundtrack is great and the shaky film style adds to the thrill. There are a couple of Tom Ford fashion and beauty moments, but it feels like decoration, which it should, rather than the main gist of the film.
This is good. I’m not sure if it's a great film, I’d have to see it again to decide that, but, I’d definitely give it the chance.