A moment. The objective of a fashion show is to convincingly transport the viewer, albeit for a few short minutes, to the place that illustrates everything you want to say about your collection. Recent Central St. Martins graduate, Grace Wales Bonner's journey started the second the African harp began to strum and out strode the models, with glistening faces, in looks that could only be described as somewhere between colonial Africa, the 1970s and modern streetwear.
Featured as part of the Topman sponsored MAN show, during LC:M, Wales Bonner's collection was a beaming dose of heat that brought to mind those sepia style, sunday best pictures of the British Empire. Somewhere in downtown Lagos, circa 1948, somebody was posing with a brass pot plant and portrait of the Queen.
The model's waxed faces made them appear preserved and other worldly, while the clothes were wide and slim in a way only the 1970s can do. Surprisingly fresh and contemporary, tracksuits were delicately decorated with jewels which spoke of her reference highlights and not an obvious note of wealth or bling. But, regardless of the references it looked cool, and that's ultimately what good fashion is.
The standout show of LC:M, for me, Grace Wales Bonner, gave us a perfectly formed escape for a couple of minutes. I can't wait to see what she can give us with a full collection. Roll on SS17.