Based in South Korea, Dorco has over 60 years’ of expertise in offering advanced blade technology. With seven precision-aligned blades, this razor is said to be a world first and is, now, available in the UK.
The Dorco Classic has slimmer, denser blades to reduce any irritation to the skin. It has an open structure design to enable easy rinsing, helping to keep blades sharper for longer. A honeycomb guard bar with soft rubber surface allows effortless gliding over skin, adapting to the contours of your face. An advanced lubricating strip with antioxidants from argan oil and calendula extract helps sooth sensitive and dry skin, and heal razor burns.
Left - Count them! All 7 blades of the Dorco Classic Razor
TheChicGeek says, “We’re entering “Razor Wars” within the grooming market with so many new or new to the market shaving brands launching. It’s a bit like the “Cola Wars”, but without the sugar! The dominant players challenged by young upstarts beating them on innovation and price.
Anything from South Korea always makes you sit up and take notice. They are insatiable consumers of grooming products and provide quality and newness to men’s grooming.
It wasn't that long ago that manufacturers kept adding the number of the blades to their razors and this was the tah-dah moment of their new launches. I’ve never seen 7 before and they are very compact here.
On first impressions, this looks quite old-fashioned. The chrome and plastic is along the lines of a classic fountain pen and looks like a razor that would come with a matching chrome stand.
I tried it on fairly long stubble and it worked well with no discomfort. It rinsed easily, even with the large number of blades. I didn't really notice the lubricating strip doing anything.
I did think it would be more expensive then it is. Prices for the Dorco Classic start from £8.74 and there’s even free shipping for orders over £10. www.razorsbydorco.co.uk So, it’s very affordable, it’s just a shame it doesn't look more contemporary.
It seems there’s competition for Charles Jeffrey’s party crown. The young designer who gave us a gritty and sweaty club night presentation at the ICA and, last season, giant monsters running around the catwalk followed by a wave of dancers, isn’t the only one offering us a new interpretation of the London ‘Club Kid’.
At this afternoon’s MAN show, ‘Art School’ made its dramatic debut with a small collection that was big on personality and, despite really pushing the androgyny and drag of menswear, was a believable treat. Entitled ‘Queer Couture’, designers Eden Loweth & Tom Barratt, say it is ‘rooted in a cast who are emblems of trans defiance’ and ‘the unfolding narrative of a non binary paradise to be indulged in’.
Translated that means boys as girls and clothes moulded and designed around the wearer and not the usual conformist approach. Slutty Swarovski covered hooded mini dresses in scarlet red mixed with biased cut dresses and splits to the gusset. The only way of spotting the girls from the boys was to look at their legs.
Left & Right - Charles Jeffrey's 'Loverboy'
While exhibitionist, it felt real and believable. It could simply be the models’ conviction, but it felt more than that.
Charles Jeffrey’s first standalone ‘Loverboy’ show was an ‘orgy’ of ‘clothes made of dreams’. Labelled ‘Queer hedonism’, this time, it was a theatrical display that included a crocheted daisy thong and Elizabethan finery. Jeffrey has become a poster boy for this polysexual energy of the city’s young and while it’s caught their’s and our imagination, I can’t help but think it’s a shame there isn’t a bigger scene for all this go with. I’m thinking music and clubs, because, as we all know, this has been in decline for most of this century. Of course, there are pockets, especially in East London, but you feel like you need a New Romantic moment that resonates into wider society.
And, this brings me back to Jeffrey’s collection. While fun and entertaining, it felt more like costume and the clothes dictating the wearer. While the tailoring is there, Vivienne Westwood’s shadow was ever present, especially with the styling and Blackadder type Elizabeth I wigs.
It feels like he needs to go back to the club and think less about the show and spectacle of fashion week. There was too much going on and didn't feel as raw and as fresh as previous shows.
Left & Right - Art School
But one thing is for sure, London’s young is sandwich between high rents, student loans and low pay and need this. This is the generation where, while they have the freedom, they feel handicapped by the older generation and in a cultural landscaped that is being squeezed.
This is fashion that inspires the creative. It's time for a night of a escapism.
Flaming June made her appearance as Jermyn Street was transformed into a blazing celebration of men’s style. The festival spirit took over the Mayfair thoroughfare as the usual hum of traffic was replaced by the buzz of a catwalk space and a handpicked selection of British food and drink vendors.
The third open air catwalk show from St James’s London showcased the best of the current season from retailers within the St James’s area. Key pieces from contemporary brands Paul & Shark and Norwegian Rain were mixed with heritage favourites such as New & Lingwood and Turnbull & Asser. Styled by Grace Gilfeather, Fashion Editor at GQ, it ran the full wardrobe gamut from formal to holiday.
I took my place on the front row and saw the updating of timeless British style using knitwear from JohnSmedley, luxury basics from Sunspel and key outerwear styles. Reimagined for the 21st century gentleman, while rooted in the foundations of St James’s which has drawn men’s shoppers for centuries, this showcase was a timely reminder how very relevant and important this part of London is to the British menswear industry.
We’re on the eve of London Fashion Week Men’s and, while celebrating its 5th year, the biannual event is having to deal with the changing menswear landscape. Brands are cutting expenditure, many are merging men’s with women’s, budgets are under pressure and London Fashion Week needs to be justified more than ever.
Left - The new face of Topman AW17, Lennon Gallagher giving good brows
The closed, industry facing idea of fashion weeks is over and it’s all about photo opportunities and customer facing events. It’s about promotion, harnessing the buzz and trying to get some direct return on the costly investment.
Perfectly illustrating this is Topman Design. One of the originals on the London men’s schedule and the first to really elevate high-street to a catwalk proposition, Topman Design has decided to shelve the show and instead have a presentation for its new SS18 collection that will be thrown open to the general public over the weekend. Arcadia, the parent of Topman, has seen sales falling and this puts pressure on making these type of events perform.
A ‘multi-media event’ called ‘Transition’, the Topman Design installation is curated by a series of collaborators.. Each collaborator will ‘own’ a space and create an installation showcasing their interpretation of this attitude with each room having a completely different and fresh perspective to create a unique journey through the space.
The event takes place at the Old Truman Brewery and open to the public on Saturday 10th and Sunday 11th June between 10am and 6pm. To gain access to the event simply download the DICE app on the App Store and Google Play or at DICE.fm.
Collaborators featured include photographer and filmmaker Nick Offord, musicians ‘The Rhythm Method’, poet and writer Max Wallis, architect and filmmaker Ben Cullen Williams and photographer and creative director Campbell Addy who will be working alongside illustrator King Owusu. In addition the space housing the installation will be designed by young British architect Benni Allan of estudio b.
The space will also feature a pop-up shop selling exclusive apparel featuring prints and graphics taken from and inspired by the Topman Design archive as well as exclusive pieces from the collaborators exhibiting.
Opening the fashion week up to the city makes it an event and creates the momentum that continues to keep these things going. We need to see more of this and not simply 'See Now, Buy Now'. I was thinking when they pedestrianise Oxford Street, it could become the location for fashion week. Clear marquees could hold shows and outside screens could showcase collections to the general public increasing interest and firmly keeping British fashion as the centre of creativity and the city.
Increasing the public's interest in fashion and fashion week and taking it out of its bubble should be the main objective this LFWM.
Last night I took part in the #MayfairCollective panel discussion talking about all things menswear in the lead up to London Fashion Week Men’s LFWM. Teo van den Broeke. Style Director, Esquire magazine, was a fellow panelist and said something interesting about how, on his recent trip to Milan, the luxury brands there told him they wanted to appear ‘warmer’ to consumers.
This is welcome news and also timely as their stand-offish approach is alienating consumers and becoming increasing sterile. They realise they've found themselves stuck in a luxury cul-de-sac with sales slowing and boredom setting in.
There was a time when the brands controlled the consumer. The consumer was supposed to be grateful that they were allowed into the luxury shop, buy the luxury goods and walk out with a luxury bag. Thank you, thank you, thank you...
Things have changed and the power is, now, in the hands of the consumer. The market is saturated, there’s more competition than ever and people are being short-changed with the quality of many of these ‘luxury’ goods.
Brand warmth comes from personality, inclusivity and a friendliness, which many brands, without a strong central figure, will find it difficult to find. It’s about tone of voice, retail environment and brand messaging.
This is a big shift for these companies and will take time. I think they need to think small to go big. People like to buy from people they know or feel like they know. They need to think about the cities and neighbourhoods they are in. They brands can have an overall message, but they need to tailor it for the specific consumers and locations.
They have stopped with the identikit shop fits, but it going to take instinct, trust and a more organic feeling of change, which these very rigid luxury brands will worry about. Addicted to control, it’s something they need to wrestle away from themselves otherwise it they will, eventually, suffocate their businesses or be replaced by those who do.
TheChicGeek teams up with Thomas Sabo in this special OOTD to highlight their new mesh watch collection. Strong and stylish, this collection of watches feature stainless steel-coloured mesh bracelets and sunray finish dials with coordinated silver-coloured indices and hands.
The monotone colour palette and striped detailing inspired the rest of TheChicGeek's outfit while on his way to catch TheChicGeek Express. The clean lines and striking two-tone colourway are as timeless as black and white itself. It made TheChicGeek think if only everything in life was this clean cut?!
Left - TheChicGeek is wearing Thomas Sabo ‘Rebel Spirit’ Watch - £180
Find out more about the new Thomas Sabo collection here
Credits - Watch - Thomas Sabo, Cardigan - Pretty Green X John Smedley, T-Shirt - Sunspel, Trousers - Raf Simons X Fred Perry, Shoes - Sperry, Socks - adidas, Spectacles - Neubau, Fragrance - Azzaro Pure Chrome - Read TheChicGeek Fragrance Review here, After Shave Balm & Shaving Cream - Frederic Malle, Face Cream - Buly
If only our dads were as well groomed as we are. They can but dream! But, we, as their more knowledgeable sons, can also give them a helping hand. I’ve teamed up with L’Occitane - pronounced - locksy-tan - from the sunny fields of Provence in France to bring you the best of their men’s tailored products just in time for Father’s Day.
To stop you feeling overwhelmed, I’ve picked my top 5 favourites from L’Occitane’s extensive range of men’s products and gift sets, all inspired by the natural wonders of Provence and its many traditions, to cover every type of dad and price point.
To make your life even easier, enjoy complimentary gift wrapping in a Provençal-style box. Simply select 'Send my order gift wrapped' at checkout. That’s that sorted then. Happy Father’s Day!
Fresh Dad - Cedrat Collection For Men - £52
Nothing smells as clean and crisp as citrus in men’s grooming. Centred around the cedrat fruit, this is classic, fresh and masculine. Containing 3 products: a fragrance, a shower gel and, L’Occitane’s latest launch, a deodorant, these generous sizes will see your dad through the next few months. Blow the budget.
Hero Dad - Eau des Baux Eau de Toilette - £46
Sensual and mysterious, this fragrance features top notes of red peppercorn and cardamom essential oil on a warm heart of Provencal cypress and incense. Les Baux de Provence is a legendary city-fortress in the south of France and the medieval Knights of Les Baux chose cypress as symbol of strength and courage. Perfect for your hero of a dad.
Clean-Cut Dad - Cade Grooming Duo - £32
Enriched with a purifying and stimulating complex of cade - also known as juniper tar - essential oil, protecting shea butter, moisturising vegetable-based glycerine, soothing bisabolol and firming extract of birch sap, this set contains all the essentials for a perfect shave. The set includes a Cade Shaving Cream and Cade After Shave Balm.
Youthful Dad - Cedrat Energizing Eye Gel - £24
Men always show their age around their eyes, so you’ll dad will thank you for giving his a little TLC with this. Enriched with organic Corsican cedrat extract, with energising properties, the Eye Gel moisturises and revives the eye area, providing triple action. The skin of the eye area is immediately toned and the appearance of dark circles and puffiness is reduced. It helps to revitalise the skin around the eyes and the massaging ball in the roll-on tip gives a feeling of cooling freshness upon application.
Chilled Dad - Sleep Well - Good Night’s Sleep Ritual - £34
What if your dad doesn’t use grooming products and isn’t likely to? Well, breathe in, breathe out and relax… With a 100% natural scent, this Relaxing Shower Gel sends a relaxing olfactory message. To complete his new ritual and create a calming atmosphere, spray the Relaxing Pillow Mist before going to bed and the fragrant molecules create a soothing sensation, conducive to a peaceful, relaxing night's sleep.
The sport of rowing is dominated by the stereotypes of posh athletic giants called ‘Constantine’ or ‘Toby’. Their arrogance only surpassed by their prowess with a couple of oars and the Lycra in their rowing suits. But, off-duty they stick to tradition and continue to wear their team colours. The blazer was invented to be part of the rowing fraternity's uniform and as part of British culture, and our continual love affair with uniforms, it often takes an outsider to see and appreciate what we have and repackage and present something that has always existed.
Just when we thought ‘preppy’ was dead and wasn’t coming back for a while, we see green shoots appearing, and a new label like ‘Rowing Blazers’, reinventing and adding more fun to this seasonal British style.
Founded by Jack Carlson, a three-time member of the United States national rowing team, Rowing Blazers’ aim is to reintroduce one of the originals in men’s sportswear. The days when ‘sportswear’ still meant you wore a tie. He won a bronze medal for the U.S.A. at the 2015 World Championships and has also won the Head of the Charles Regatta, Henley Royal Regatta, and Royal Canadian Henley Regatta. Jack earned his doctorate in archaeology at the University of Oxford and is the author of the book Rowing Blazers (Thames & Hudson, 2014).
Left - Jack Carlson, founder of the American rowing blazer specialists, Rowing Blazers
Impressed the brand’s website and his passion for reintroducing this loud heritage style, I sent him a few ChicGeek questions to find out more:
CG: Why the fixation on rowing blazers?
JC: I spent a long time in the sport of rowing: nearly two decades, including three years on the US national team, so I've been immersed in this world for a while. But I've also been very interested in heraldry and in the visual and sartorial trappings of status and hierarchy for a long time as well. And I think the blazers that are traditional in the sport of rowing bring together all of those interests: menswear, heraldry, and the sport of rowing.
CG: When did you start? And what was the Eureka moment?
JC: I first competed at Henley Royal Regatta in 2004. My crew was knocked out in the first round, which was pretty disappointing. But it meant I had a great deal of time to spend in the spectator enclosures for the rest of the week, where I began chatting with other current and former rowers about their jackets and the stories and traditions behind them. I thought: someone should study these things, write a book about them. Six or seven years later, I realised I should be the guy to do it. The book came out in 2014, and the company - making blazers by hand, and incorporating a lot of details, traditions and construction techniques I came across while creating the book - launched this year.
CG: How have you found the reception to them?
JC: People from all sorts of different backgrounds love what we're doing. Menswear nerds love the research that has gone into everything we do and the quality of the construction and materials. The rowing community respect the authenticity and pedigree of what we're doing. The Japanese - we have a significant following in Asia - love the fact that our pieces are handmade in America. We've even had a positive response from many streetwear fanatics, who like the irreverent spirit, the cryptic Latin graffiti, and the graphics on our caps and badges.
Right - Rowing Blazers - Croquet Stripe Blazer - $995
CG: What would you say to those people who say that preppy is dead or is out of fashion?
JC: Preppy is dead. Long live preppy. I hate much of what that word has come to signify, and I think much of what it's come to signify is pretty dead for now. I think the consumer - at least the higher end menswear consumer - wants something with authenticity, with a story, a sense of meaning behind it. This consumer wants to know where, how, why, and from a product was made. Our pieces have tremendous depth to them; from the 3-roll-2 silhouette of our blazers, to the small embroidered faucet motif on our ties, there's a story and a reason behind every decision; and our pieces are all handmade in the US. So our collection is very different from much of what is usually considered to be "preppy" nowadays; but blue Oxford cloth button downs; flannel blazers - in navy or more outrageous colours; and webbing belts will never go out of style.
CG: Do you mostly concentrate on rowing teams and clubs or are you targeting a fashion consumer?
JC: We are a menswear brand first and foremost, but we are also proud to make blazers for a wide range of rowing teams and clubs, including Britain's most prestigious rowing club, Leander Club in Henley-on-Thames. We've also created blazers for rowing clubs in China - which is pretty cool considering we make everything in Manhattan; Oxford Brookes; the University of Texas - for whom we made blazer-cowboy jacket hybrids; and many other clubs, schools and universities.
CG: I’ve always loved the British Army blazer that I saw at Henley, would you make one of those?
JC: We might do something in camo, but we are always very careful to be respectful of existing club blazers, and would never "knock off' any institution's blazer.
CG: What’s your favourite style & why?
JC: My favourite piece in our collection is the 8x3 double breasted blazer, which is inspired by a blazer Prince Charles always wears. One never sees an 8x3 double breasted blazer on the market, so we had to make one. With five cuff buttons, an oversized front button from a vintage die, and a perfect fit, it came out brilliantly.
Left - Rowing Blazers - 8X3 Double Breasted Blazer ‘Prince Charlie’ $1095
CG: Do you ship to the UK? Isn't this a bit like taking coals to Newcastle?!
JC: We ship worldwide. Although the UK is the land of the blazer, no one is doing what we are doing: it's our commitment to quality and traditional techniques that's enabled us to become the official blazer supplier to Leander Club, Oxford Brookes University Boat Club and many other British institutions while making everything in New York. We are chatting with several British menswear retailers about going into their stores as well, and they understand that we are a high end brand with a unique product; they wouldn't be looking at us if they viewed us as a school uniform supplier!
CG: What would you say to those people who say rowing is elitist?
JC: Rowing has its roots in Oxbridge, but also the far more blue collar world of professional sculling. It developed not only through public schools and the Putney clubs, but also through many working man's clubs around England. Today many still associate the sport with Oxbridge because of the prominence of the Oxford-Cambridge race, but the truth is the sport is becoming more accessible and more universal all the time. British Rowing has done a great job bringing the sport into many new communities in the UK. I'm part of an organisation in the US, here in New York, called Row New York, which is a highly competitive rowing program for kids from the city's underserved communities. They've just qualified a boat for the national championships for the first time, which is fantastic to see.
CG: What’s the future for Rowing Blazers?
JC: We’ll be expanding into a few other categories and also expanding our retail footprint; we have a lot of pop-ups planned, including at Henley and Goodwood Revival; and we'll be going into a number of stores in Japan, Taiwan and China in the next few months. We have some cool collaborations planned with Merz b. Schwanen, a very cool and historic German knitwear manufacturer, and a few other exciting brands. We are really just getting started.
CG: You don’t just sell blazers? What else do you sell?
JC: We also make shirts in a few different styles. They are pretty unique because they are hand-distressed - here in the US! - and come with or without busted seams. They've been a hit with the more street-oriented customer actually. We also do hats, belts, ties -- many featuring satin-stitch embroidery, or hand-embroidered wire bullion motifs - and a wide range of rare, funky and quirky vintage product.
A citrus-oriental-woody fragrance, Chrome Pure revisits Azzaro’s original Chrome fragrance’s emblematic freshness, creating a more textured and vibrant feel, with the addition of two new ingredients: the spicy-woody accents akigala wood and tonka bean join the white musks and mate leaves of the original version.
TheChicGeek says, “Released in 1996, I’m not familiar with the original Chrome fragrance. As a brand, Azzaro, has little or no awareness here in the UK and even Googling images only brings up fragrance and no vintage or historical fashion images.
This fragrance follows the typical tonka bean formula that have been popular over the last few years, but it does has a sophistication lacking in many. Created by Jacques Huclier - he was the nose behind the epic Thierry Mugler A*Men - it’s fresh, but wait for the dry down as it's the best bit, where it gets soft, musky and almost gourmandy.
The bottle follows the form of the 1996 original and looks a bit dated, now, particularly the font, but if you’re a fan of this type of fragrance you could do much worse at this decent price”.
Left - Azzaro Pure Chrome - 100ml - £59
Is the love affair over? Has Instagram peaked? I’m not basing this on any stats, as there aren’t any recent figures, but, like all things, instinctively, it feels like the audience are growing bored, the novelty is over, it all feels like hard work and many people are thinking what’s next or they want a break.
Left - Instagram - Are you feeling bored? Is the love affair over?
Instagram’s had a good run for its money, but I think people have a sense of deja vu looking at the perfect and saccharine images that are repeated daily. The same faces in the same places. I think the British, especially, are suspicious of too much perfection and the filtered view on life feels distant from the reality.
Over the last 3 years, Instagram became an obsession for many with the birth of ‘Influencers’ and brands piling in to be seen in the hands of these people who always look both ways, but never into the camera, when they cross the road. It’s hard to do anything different and people are becoming immune to any great images and simply overwhelmed with the swiping. They even look bored.
Let’s look at Instagram with fresh eyes for a minute. It’s not often you learn anything from it. It’s mostly immature, forgettable stuff - hot people, cute animals, holiday pictures, floors etc - and appeals to your younger, teenage self and that can be fun, for a time. When you think or feel like engaging, it’s only natural to really care about the people you know in really life.
I’ve been put into the ‘Influencer’ bracket, I’ll put my hands up, but my foundation has always been the written word and this blog. The idea is and always was to try to be a trend setter, opinion former and find out the latest and best things within the men’s style area and to be trusted and influential. (I don't think we've fully settled on a label or a term to describe what we do. The word 'Blogger' has also had a rough ride and wasn't embraced by many). I care and am passionate about this business and it isn’t a vehicle for my own vanity despite what my enlarged head might say!
Many men’s influencers were born from their girlfriends’ accounts and as such followed their lead on content and visual identity. Let’s be honest, how many afternoon tea reviews really appeal to anyone, let alone guys? The modern equivalent of a teenage crush or poster on the wall, the good-looking male influencer is not going to be cute for forever and doesn't really appeal beyond the superficial. These things have a shelf life and the Best Before Date has passed. They have to work out their USP or niche of expertise to have any longevity. I think men, especially, respect and are influenced by honest experience.
People are growing bored, posting less images and with engagement falling, this is the perfect storm to deflate this bubble. We are all influenced by many of things and by lots of people and the idea that these people have a magic key or insight is now over. It was all getting a bit 'Emperor's New Clothes' or was it the emperor getting paid to wear the new clothes?!
‘Influencer Marketing’ has a place in the arsenal of marketing, but celebrities lead the movement in this. There’s no reason for brands not to spend a slice of the marketing pie, but it became a central focus and I’m not sure it really warrants that importance and all the eggs going into this basket. Brands need to create good content and they can partner with people to do this: lots of different people. It doesn’t and won’t always result in stats telling you how much ROI - return on investment - you’ve had. It’s marketing afterall, everything is experimental and nothing is guaranteed.
As Instagram make it hard for people to grow their followers, it’s become a game of getting nowhere and a feeling of hopelessness and dropping out. It’s also hard to find anybody on there or break out of your friendship groups. I’m not entering the #Instafraud debate, but I think some people need to take a step back and realise that not everything revolves around Instagram.
Many of these Influencers don’t seem to have an opinion or express it on Instagram and this is why they’ve never really been into Twitter. Nobody is saying anything. Twitter requires a brain and thought process in order to say something and, this, unfortunately, makes it smaller in our figure obsessed world. Twitter is about news, opinion and conversation and doesn't appeal on a huge scale.
Also, what’s the ideal Instagram number of followers? 10,000? 25,000? 100,000? More, more, more!
As the men’s fashion business has been going through contraction - ChicGeek Comment here - the money available has deflated the Influencer bubble too. Brand people forget there is much more to the digital world than Instagram. We’re definitely seeing less sponsored posts and collaborations on there. While Instagram isn’t going anywhere, the days of thinking the sun revolves around it are over. It’ll take its place on the icons along with all the other accounts and move into the background.
I think things are going to go back to written content held on blogs and websites that can be searched for and while social media is important and helps you create great original images, it’s very disposable and becoming more and more noisy as more features are added. I also think personality is going to become much more important in the digital world and this needs to be expressed in what you say, not just how you are seen. Instagram has become stressful keeping up, increasingly serious and as such has lost most of the fun.
It’s time to get clever, again.