The horizontal striped camp collar shirt has become a staple of men’s summer wardrobes over the past few summers. It’s become a ‘Basic’ basic, if you know what I mean, but, honestly, they still look good.
I first met Scott Fraser of Scott Fraser Collection at the Goodwood Revival and he looked every bit the king of vintage he has become; sitting on his moped with his perfectly mid-century look. A stickler for the details, his own label is a fabulous collection of reproduced vintage inspired pieces and this shirt is no different.
Made from two newly-discovered 20-metre rolls of vintage fabric, perfectly wrapped and stored in the back of a mill, this ‘Lido collar’ includes two chest pockets, rear waist-band adjusters, v-split cuff details and mother-of-pearl buttons throughout. A Linen/cotton mix and made in London, the idea is to look like a walking sun-bleached deckchair this summer and this looks as good as anything made back when.
The style world can never have enough fancy candles and blankets, it gives us #FashionWankers a break from the clothes. Along with Luke Edward Hall, John Booth is one of the artists du jour of the fashion set. This, his second collaboration with Scottish textile maker, Begg & Co, I’ll admit, I missed the first one, features John Booth’s famous FA Cup eared male portrait found on many of his pottery and artworks.
Made from a special blend of lambswool and cashmere yarns, the Valatzu's supersoft style has contrast blanket stitching – a traditional finish used on bound-edge blankets. All proudly made in Scotland.
Not since the Mr Hare brand disappeared have I seen such elegant loafers. These Made in England loafers were a welcome discovery at the recent Pitti Uomo in Florence. Delicate and well made, they are by Baudoin & Lange, a new shoe brand on me.
Left & Below - Lusitanias Dark Brown Loafers - £305 - www.baudoinandlange.com
Baudoin & Lange was founded in 2016 by Allan Baudoin and Bo van Langeveld. Allan Baudoin, a computer scientist and Apple alumni turned self-trained bespoke shoe maker, designed and handcrafted the first ‘Sagan’ - their classic loafer - in 2014. After hundreds of prototypes and two years of development later, the brand was born.
When he and Bo van Langeveld, an ex-racing driver turned financier who was tired of suffering in his formal office shoes, met - they together developed the idea of a modern shoe brand that would combine the best of both worlds: comfort and style.
TheChicGeek says, "These are those delicate type of loafers that look almost like the male equivalent of a ballet pump - and just as comfortable. With tailoring starting to return, we should see a return to more formal shoes. These could be good for those who have spent their life in trainers. They are also a reasonable price for made in England."
With the skinny trouser shape safely out of the door, - bye, Hedi! - it’s time to put our cards on the table and decide what's next. Daniel W. Fletcher, one of London’s menswear talents, has been pushing this smart, side-poppered trouser for a few seasons now.
I spied model, Richard Biedul, in a black Daniel Fletcher suit during the last LFWM and it all started to make sense. That flick on a trouser just looks right and the contrast stitching gives these trousers a less dressy feel. The studded poppers allows you to wear them closed and they're proudly made in England. They're poppers o'clock!
Left & Below - Daniel W. Fletcher - Black Split Hem Tailored Trousers - £380
Below - Model Richard Biedul in the full Daniel W. Fletcher suit at LFWM Jan. 2019
All fashion roads lead to Paris. While the Paris landscape is fractured with many smaller trade shows and showrooms competing for people’s time, it’s also the place where orders are written and retailers and people finally commit to the season. Word on the street was brands were deciding to forgo Florence’s Pitti Uomo for showrooms in Paris to justify the time and expense of doing the men’s fashion week circuit.
Left - Outside one of the Paris trade shows, Tranoi
Here are the trends and brands to know from Paris for AW19:
British fabrics are having a huge renaissance, none more so than for the AW19 season. E. Tautz has reworked the traditional black and white tweed into a vortex design that is both contemporary and respects the qualities and attraction of this type of fabric. Charles Jeffrey Loverboy turned up the dial on tartan with bold blue and red. This is a designer making the transition from the conceptual to beautifully cut and made pieces.
Right - E.Tautz tweed
Left - Charles Jeffrey Loverboy tartan
People are beginning to yearn for dressing up again. Tired of sportswear and the grunge aesthetic, this is a new idea of wearing something more dressed at anytime of the day. British designer, Bianca Saunders, captured this perfectly with extra ruched shirts a dark palette.
Left - Bianca Saunders AW19
Following on from Mary Katrantzou’s chesterfield sofa coats and Anya Hindmarch’s chubby hearts, it’s the men’s turn for something to take the cushion in a world full of sharp edges. This is from Virgil Abloh’s second collection for Louis Vuitton which was inspired by Michael Jackson. Overinflated much?!
Left - Louis Vuitton AW19
Heat bonded pockets and steel poppers are some of the details on menswear to make it perform and look high-tech. Mammunt Delta X is a new label, it debuts this SS19, from Swiss heritage mountaineering company Mammut. Using their 150 years of outdoor expertise, it is offering something younger and more urban to satisfy the insatiable thirst for element protecting products.
Left - Mammunt Delta X AW19
Jupe by Jackie has become come something of a cult label known for its hand embroidery. Established in 2010 by Dutch fashion designer Jackie Villevoye, Jupe by Jackie uses master embroiderers from the Indian province of Uttar Pradesh to work her designs onto items of clothing. J-B-J is a new, younger brand, from Jackie’s son, offering the signature embroidery on T-shirts and more casual pieces.
Left - J-B-J yeti, all hand embroidered
Made from plastic waste, Norden is a new outer label made entirely of single use plastic. Their “U-Trust” verification program provides customers with comprehensive certification designed for a high level of transparency. The Fiber Print technology validates the authenticity of the products, with complete analysis of all fabrications to support the certifications. All of the garments are free of fur, feathers, leather and all other animal by-products. There’s even an internal water bottle!
From Left - Norden - All made from plastic waste and include a water bottle
Part of London’s Fashion East show during LFWM, Dublin designer and recent MA Westminster graduate, Robyn Lynch, referenced old football supporter footage from the Irish television channel RTE in her first collection. This tone-on-tone, normcore collection took the best of Ireland and injected sports and technical details. This sleeveless Aran sweater with side adjusters is a perfect example of this.
From Left - Fashion East debut collection from Irish designer, Robyn Lynch
Finding stylish American basics is much harder than you think. Those grey army sweats which make any man look like Steve McQueen are very subtle to get right. Knickerbocker says it is a “factory born brand” and is transparent about its manufacturers which are mostly in Portugal, but do include the USA.
The standout item is the sailor-like hooded grey sweatshirt to wear On The Town a la Frank Sinatra!
Charlie Bucket spent his last coin on a chocolate bar in the hope that it would contain a golden ticket and gain entry behind the guarded gates of Wonka’s magical factory. If Roald Dahl were to write the story, today, Veruca Salt, the spoilt brat with the "I want it NOW, daddy!!!" attitude, would probably want to see behind the walls of Louis Vuitton or Chanel rather than Cadbury’s or Nestlé.
Her wishes were granted, last month, when LVMH expanded the fourth edition of its ‘Les Journées Particulières’ open days event. Seventy six venues across four continents held 'open days', with 38 never having been open to the public previously.
The event saw 56 fashion houses, including Louis Vuitton, Christian Dior, Givenchy, Tag Heuer and Nicholas Kirkwood, taking part. New experiences included the opening of the Les Fontaines Parfumées in Grasse, the perfume creation workshop shared by Parfums Christian Dior and Louis Vuitton, the Louis Vuitton prototype workshop in the centre of Paris and the Louis Vuitton workshop in Ducey, Normandy. It was also possible to reserve an exclusive tour of La Colle Noire, Christian Dior’s last residence in Montauroux.
Left - Inside Private White V.C. in Manchester
‘Les Journées Particulières' launched in 2011 and is a LVMH marketing exercise in harnessing the desire and interest from people to see the inner workings of brands they admire and respect. It’s this element of being able to see things you feel aren’t usually on display, demystifying the processes and laying bare the inner workings of these brands that gets people to make the effort to visit.
Watchmaker, Vacheron Constantin, recently tapped into this enthusiasm by auctioning the ultimate watchmaking experience by putting two VIP tours of its workshop in Switzerland up for sale. The brand hired Sotheby’s to auction the experiences, which comprise two separate lots that it claims represent a “once-in-a-lifetime opportunity” to witness its work up close. Each involves a behind-the-scenes tour through the Vacheron Constantin Maison, accompanied by style and heritage director Christian Selmoni.
It’s this ‘magic’ that people want to see and the attraction and interest in seeing how things are made and a celebration our industrial history is expanding as more brands open up their factories to the public. It gives products a halo effect of ‘special’ and really cements the brands into people’s minds and memories in a positive way.
I always say, when you go to a factory, it’s a bit like going to a friend’s house for the first time: you really get a fully rounded and immersive experience and a lasting memory. It’s a familiarity you can’t get in a shop or by simply wearing the product.
Solovair produce their shoes in Northampton under their parental badge of The Northamptonshire Productive Society (NPS) founded in 1881 by five men in Wollaston, Northamptonshire. Ashleigh Liversage, Online Marketing Manager, NPS Shoes Ltd. says, “As more and more brands move their manufacturing outside of the UK it is important to us that our customers can come see for themselves how their footwear is made by our skilled workers in our factory in Wollaston, Northamptonshire.
Right - Exterior of the Private White V.C. factory in Manchester
“Our Managing Director takes the group on a tour through the factory offering an exciting insight into all areas of shoe production,” says Liversage. “The NPS Factory tour follows specific content-related criteria, giving guests access to all shoe production technologies: the ‘Clicking’ or cutting Room, Closing room, Levelling / Making Room, Shoe Room, while machines have made production more efficient, the fundamental process has remained the same at our factory for over a century,” she says.
“The feedback from our customers is why we continue to offer the tour, they love to see how and where their footwear is made and hear about the history and heritage of NPS Shoes,” says Liversage. “Even those with no particular interest in footwear have commented how interesting the tour is. We have people come from all over the UK to attend our tours and even had visitors from Canada once!” she says.
Over in Manchester, Private White V.C., has the last remaining clothing factory in the world’s first industrial city. Mike Stoll, Factory MD, says the reason they have a factory tour is, “To raise awareness: we actually are real and make our special garments near Manchester City centre.”
“Most people that make the tour either make a purchase or send someone who does. It spreads the word,” says Stoll, but, “It only works if you have something to see. This building is unusual and the way we currently manufacture is unique.”
North of the border, Johnstons of Elgin produce some of the world's finest knitwear and blankets. George McNeil, Johnstons of Elgin, Retail Managing Director, says, “Rarely does the public get an insight into how their products are made, and the entire craft behind the process, and so this is a chance to see quality in the making and also to understand our rich and unique history.”
Visitors get to see “Everything!” says McNeil. “Our cashmere goes from raw fibre, through dying, teasing, carding, spinning and hand finishing by the latest generation of craftsmen, all in our Elgin mill.”
“If a brand has the personal touch to each and every product, like ours, it is hugely beneficial to educate the consumer,” says McNeil. “We are in fact the last remaining vertical mill in Scotland to take raw fibre to finished product – from goat to garment – making this traditional process unique in current times. As consumers continue to prioritise where their belongings come from, and become more curious about the work that goes into them, they will demand to know more and brands will answer.” he says.
Not all brands can offer this openness though. Brands often produce for other people, called ‘Private Label’, and many brands like to keep their producers and suppliers out of the public domain.
“As a manufacturer for over 160 different brands, we actually don't allow factory visits because of the issues they can cause,” says Rob Williams, Founder & Chief Financial Officer, Hawthorn International, who produce apparel for various brands. “Many fashion brands prefer for their manufacturer to keep their identity private, so that their costs cannot be revealed and so that their designs can't be shared between brands who all use the same manufacturer,” says Williams.
“Because privacy and confidentiality is so important to our clients, we found that it caused a huge logistical problem to organise factory visits without the visitor seeing any intellectual property of our other clients,” he says.
Left - Johnstons of Elgin's mill in Elgin, Scotland
Factory tours work because of a growing niche of people’s fascination with being educated about the things they buy. It works for brands who want to tell their story and, often, explain why you are paying a premium for the products. Admittedly, you get shown what they want you to see, but, it's this openness and sharing that creates an atmosphere people want to buy into.
This is the National Trust for the fashion geeks amongst us and it’s growing in popularity. Johnstons of Elgin has tea shops and restaurants attached to their mills which can also be a revenue maker for the company.
The tour makes the product come alive, you can picture what you’re buying being made and this really is the ultimate souvenir. People love a factory tour with a final stop at the factory shop for a bargain. Who needs a stately home when you can have a Victorian shoe factory?
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I picked up on this jacket straight after Oliver Spencer’s show during LFWM. I mistakenly thought it was a Norfolk jacket - here - but it doesn’t have a belt, just an internal drawstring giving the illusion of a cinched in waist. By accentuating the waist it makes you look thinner and taller.
Manufactured in the UK of 100% wool, the fabric is a handsome black and white checked Donegal-type tweed and looks much better on the model than it does on the website. This is the kind of coat that will get better with wear and will look great with the pockets full of everything you can throw in it.
Left & Below - Oliver Spencer - Photographer's Jacket Banbury Charcoal - £459
Some of the best shirts in the UK, scrap that, the world, Turnbull & Asser has just upped this year’s evening wear ante, added a full injection of Tom Jones swagger and jumped on the silk shirt trend - See more here - to produce this ruffled masterpiece.
Produced in a limited number, the shirts are individually hand-made in Turnbull & Asser’s own Gloucester shirt factory by their highly-skilled craftspeople.
Left & Below - Turnbull & Asser - Tailored Fit Cream Silk Ruffle Front Evening Shirt With T&A Collar & Double Cuffs - £425
Quite possibly the collab. of the season. One of the finest mills in Scotland, Johnstons of Elgin, has been trying to move into the ready-to-wear menswear market for a few seasons, now. They have the finest cloth and it makes sense to want to control the final product. Scotland’s answer to Zegna, maybe?
Finding the skills to manufacturers garments to the high standards these fabrics deserve isn’t easy in the UK, so it’s great to see they’ve teamed up with one of the best coat manufacturers, Private White V.C. in Manchester.
Left & Right - Black Single Breasted Ventile Men’s Trench Coat & Gilet - £1795
The new collection features two jackets: a single-breasted trench coat featuring a seam sealed waterproof external fabric with a detachable quilted gilet complete with a contrasting lambswool tartan lining and cashmere knit collar and the waxed country jacket using a 1402 Halley Stevenson premium wax fabric boasting weatherproof and thornproof qualities. Lined with Johnstons of Elgin 100% cashmere velour, it features details of punched leather elbow patches and trim on the collar. Both jackets feature Johnstons of Elgin’s 100% cashmere velour.
Alan Scott, Creative Director at Johnstons of Elgin said: “I am very proud to present these two key men's outerwear pieces from the Private White x JoE collaboration for AW18. We are very excited to showcase and celebrate the best of British quality garment manufacturing and specialist cashmere textiles all made entirely in the U.K. We value the unique expertise and authenticity that Private White embody and for helping to bring our cloth to life. Our parallel stories and family owned history create the perfect partnership.”
James Eden, Brand Director at Private White V.C said: “We’re delighted to be collaborating with one of the most esteemed cashmere manufacturers in the world; Johnstons of Elgin. Together we have struck the perfect blend of luxurious fabrics and quality craftsmanship- these are pieces of outerwear that have been made to last a lifetime and I believe they will be cherished by whoever is lucky enough to wear them for just as long.”
The only negative, these jackets are crazy expensive and I almost wish they were bursting with more Johnstons’ fabrics. If you do want a beautiful Johnstons of Elgin blanket type coat look at Gieves & Hawkes’ new AW18 collection.
Left & Right - Olive Country Style Men’s Wet Wax Jacket - Private White Collaboration - £1795
“With 'the modernist', I designed a fragrance that has that self-assured simplicity. Bergamot opens the parfum and leads the way to a oral centre. Freesia felt like the perfect choice in this journey from citrus to timber. I love the sweet and sharp sensation of freesia and the way it softens and radiates a cleanliness on the skin. This is cradled in the warm hands of frankincense. I wanted a dominant, distinguished base and its complexity is enriched with labdanum, timber and even fruit, creating an autograph for the wearer. I’m not a big fan of scents that arrive before you do and linger in the room after you’ve left. For sure, be powerful and be bold, but let them remember how you smell, not just the smell.” says John Evans, Fragrance Designer & Founder of the modernist fragrance.
Taking a break from corporate life, John worked full-time as a writer and has seven novels published. Following his re-entry into the world of finance, John lived and worked in the US and Australia for a number of years. He and Andrew, his partner, returned to the UK in 2008 where John was the Managing Director of a global business.
Leaving full time work at the end of 2014, and at Andrew's suggestion, John began formalising a lifelong passion for fine fragrance. Soon after, John authored the modernist manifesto and founded the house of modernist fragrance. Formulated in London and made in England, this is his first fragrance.
Left - The Modernist - 50ml - £145
TheChicGeek says, “It’s refreshing when somebody has put everything into a single fragrance. This feels like a labour of love and another welcome addition to the family of small British perfume producers. I’m not sure whether ‘the modernist’ is the name of the company or the fragrance or both. But, I really like it.
It has a cool, almost menthol, freshness at the top, with an element of turpentine. Then, a peppery layer which moves into spice and the comforting and intoxicating depth of the frankincense. It doesn’t dominate, but has a delicate richness, very much like John’s goal in the creation - see his quote above. The packaging reminds me of Miller Harris.”