Denim is having a bit of downtime while it decides where it wants to go after skinny. But, just because denim maybe having a rest, it doesn’t mean leather is.
I saw this a few months ago and at first glance, it’s a classic blue denim shirt, but, on touching and closer inspection, it’s printed leather. Admittedly, that bumps the price up massively - it’s quite an investment - but who else do you know who will be wearing a leather denim shirt?
This is the ultimate in luxury casual.
Left & Below - Tod’s - Leather Shirt - £2650
Paris men's is the home of the big fashion hitters and it didn't disappoint for AW18:
Thought leather trousers were just for the Hoff?! Think again. Leather shakes off its stereotypical rockstar image and gets smart enough for business attire.
From Far - Dunhill, Paul Smith, Hermès, Berluti, Ami, Wooyoungmi, Cerruti, Louis Vuitton
Once the sole preserve of Moncler wearing European language students, the ultra shiny puffer is the future of cold weather jackets.
Left - Dunhill
Why have one boring layer when you can have three colourful layers all showing at the same time? Rollneck, polo shirt and tank. Tick, tick, tick!
Both - Kenzo
Male Floral Twinsets
If you're going to wear a twinset, it may as well be covered with flowers.
Below - Both Kenzo
This is the season for reflection with silver accessorises. From bags to boots, choose something you can see yourself in, literally.
From Far Left - Dunhill, Kenzo, Lanvin, Louis Vuitton
No animals were harmed in the making of these. It’s not supposed to real or fake, but fun.
From Far Left - Kenzo, Pigalle, Sacai, Kenzo
Big shoulders and longer jackets continues to push the tailoring boundaries.
From Left - Kenzo, Wooyoungmi
Look like walking Matchesfashion.com packaging!
From Left - Louis Vuitton, Dries van Noten
Yves Klein blue is the bold, primary accent colour of the season.
Below - Officine Generale, Hermes, Acne, Facetasm
The AW18 colour of the season.
From Left - Paul Smith, Facetasm, Paul Smith
Boxer Waisted Short
A true boxer worn high over the hips.
Left - SSS World Corp
PVC, trust me, is the material and finish of the season. Black bin bag? Yes, please!
From Far Left - Balmain, Acne, Wooyoungmi, Louis Vuitton, CMMN SWDN, Haider Ackermann, Walter van Beirendonck, GMBH
The worst wash, in the worst cut. Hello, new jean.
From Far Left - Dior Homme, Vetements, Vetements, Wooyoungmi, Cerruti, Louis Vuitton, Facetasm, GMBH
Landscape Poster Knits
JW Anderson may have done this first, but I still like it.
Both - Hermes
Game of Thrones Coats
Jon Snow way?! Look like a warrior
Left - Alexander McQueen
This is granny mac territory, and I love it!
Below both - Maison Margeila
Don't over think this. Just turn your coat inside out.
From Left - Vetements, Maison Margiela
Weak calves?! This could be your winter leg solution.
Below - All Thom Browne
Based on a 50 acre estate called “Keyneston Mill" in Dorset, Parterre - translated as “on the ground” - is a new and experimental British perfume brand aiming to grow many of the ingredients themselves. Two thousand plant varieties to be precise.
Founded by husband and wife, David and Julia Bridger, their backgrounds are farming and graphic design, respectively, Parterre launches with three fragrances, all limited in number and stocked at Fortnum & Mason.
Left - Not the Crystal Maze - Keyneston Mill, Dorset
TheChicGeek says, “Who knew you could grow vetiver in the UK? I always thought it was a tropical grass found in places like Haiti. Soon to be open to the public, Keyneston Mill looks set to be a destination in itself and not just for perfume fans. I can see a Monty Don special coming on!
No budget has been spared here with Sir Elton John’s ex-gardener Stuart Neilson and former RHS botanist Nanette Wraith being brought on board. Design plays an important part in the core of the garden with Renaissance Italy and Kandinsky referenced while the rest of the acreage is put to growing in volume.
Based on botanicals, obvs, the three fragrances, produced in collaboration with leading perfumer, Jacques Chabert, are “A Tribute To Edith”, geranium and rose, “Run Of The River”, bergamot mint and orange flower, and, the most masculine, “Root Of All Goodness”, bergamot, vetiver and leather.
I admire Parterre because they will be at the whim of the unpredictable British weather and, as such, they’re still trying to work out what works and what gives a decent standard of product. They’re also producing the oils themselves using steam distillation.
Right - Parterre - "Root Of All Goodness" - 50ml/100ml - £95/£160
Like the majority of gardens, things will get better with age. Everything seems quite new and experimental, and while the French will probably scoff and turn up their noses, literally and metaphorically, just remember they did that once to English sparkling wine and look how far that has come.
It would be nice to see which of the ingredients are homegrown - maybe a Union flag next to them? - I do think they’re missing a trick not doing at least one fragrance with 100% British grown ingredients, but I’m sure, in time, that will come. Also, they should use a British perfumer or try doing it in-house.
This plugs into the British obsession with plants and gardening and being able to visit and see the place will only add to the attraction. Of the three fragrances, the most masculine is the “Root Of All Goodness”, but I was drawn to the rose one. Men can wear pink and smell of roses, these days. I like the branding, it is fairly feminine, but the hand calligraphy numbering on the bottles is a nice touch. I’d just love to know what they could do with the stinging nettles, bindweed and Japanese knotweed in my garden!”
The classic touch of lavender is altered by noble iris, that master perfumers Nathalie Lorson and Olivier Cresp placed at the heart of the fragrance. Combined with smooth, sweet pear and in a subtle nod to the original 1975 release, a patchouli-leather accord structures this new woody floral fougère fragrance.
Left - Gentleman Givenchy - 100ml - £66
TheChicGeek says, “Off we went to Paris for the launch of this and even after two days it still wasn’t sinking in exactly which way around gentleman and Givenchy were arranged. The new fragrance is called Gentleman Givenchy and not Givenchy Gentleman - do you see what they did there? - which is the original 1975 fragrance and, to many, a classic.
Right - Face - Aaron Taylor-Johnson representing the "Gentle Man"
The new version is getting a lot things right: the face Aaron Taylor-Johnson is a good choice. He looks great in the ad. and the commercial, shot by his artist wife, it sees him dancing and looking hot. The bottle is the classic Givenchy shape and the idea of a “Gentle Man” is modern and reflects the change in masculinity over the 40 years since the original.
The main problem I have is, the fragrance smells like everything else. I’m not getting the original here and it’s certainly not memorable. Again, another fragrance not to dislike, but nothing to get excited about either.
With Givenchy’s pedigree they should have reintroduced the original with all its seventies-ness to a new generation and re-owned one of the great male fragrances. Givenchy is a storied brand and they have a respected history, they just don’t use it enough.
They have a new designer, Clare Weight Keller, and it will be interesting if she has any input into the beauty side of the business which has been neglected under the former Creative Director, Riccardo Tisci.”
Left - TheChicGeek giving good "Gentleman" on the red carpet in Paris
Below - TheChicGeek getting his Gentleman Givenchy on in the Eurostar lounge on the way home from Paris
It was at the launch of the new men’s grooming destination, Beast, - more info here - in Covent Garden that I was introduced to Leo Crabtree, the man behind the Beaufort London fragrance brand. There were a few samples of his fragrances in the selection of products to try and I was impressed by the originality of the scents. Historically based, they are a dramatic concoction of rich and smokey scents inspired by Britain’s maritime history. I wanted to know more, so, TheChicGeek asked Leo a few questions:
CG: What’s your background and why and when did you start Beaufort London?
LC: My background is mainly in music and I studied history at university. BeauFort London came about as a vehicle to market some homemade grooming products I was making around 4 years back. I found myself getting bored of the stuff that was available at that time and I thought I could do a better job. This project then developed into something a bit different, particularly when I started to learn about making fragrance. This area really interested me and I’ve kind of followed this path for the last 3 years.
CG: Where does the name come from? 1805 is a special year for you, why is that?
LC: The brand’s name comes from the Beaufort Scale which was thought up in 1805 by Sir Francis Beaufort - a way that sailors could gauge and report the wind strength. It’s still in use today.
This idea of invisible strength resonates and seemed appropriate for a brand that initially was only selling very firm moustache wax. The metaphor works nicely for fragrance too.
Aside from this detail, 1805 was also a pivotal year for British fortunes at sea… following the win at the battle of Trafalgar (October 21st 1805) British sea power was established and continued unchallenged for a century or so… I think these naval events still echo in the way we Brits perceive ourselves. And there’s something about the early 19th century that fascinates us - it seems to pop up a lot in popular culture at the moment.
CG: How many fragrances are in the range?
LC: The ‘Come Hell or High Water’ Collection consists of 5 Eau De Parfum each representing a different aspect of our relationship with the sea: Tonnerre (Trafalgar/warfare), Coeur De Noir (adventure stories / tattoos), Vi Et Armis (The opium / sea trade), Lignum Vitae (ships clocks / time) and Fathom V (The Tempest - weather). We are launching a 6th later this year too and we recently released a leather discovery set of the whole collection - refillable 7.5ml vials of each which is really popular.
CG: What is the idea behind the packaging?
LC: Well the caps were at one point going to be made out of pieces of old ships, but this didn’t work all that well. So, now, they are made from ash, which is a bit more stable and safer to reproduce.
The boxes ended up becoming almost like books or possibly sarcophagi - this is a pretty important thread in all this. The past, history, books, it’s all in here. I like to include snippets of things I’ve read, pictures inspired by the events that inform the fragrances. Each box is embossed with a little latin phrase which I found on a medal that was given to those who fought at the battle of Trafalgar. All these little things build a coherent picture of the brand I think.
CG: I like Tonnerre, which is inspired by the battle of Trafalgar, how do you get that smokey effect?
LC: Lots and lots of birch tar. This is an intensely smokey material made by boiling birch sap. This has been used a lot in the past to create a ‘leather’ effect (Famously in Chanel’s 'Cuir De Russie’ - historically Russian soldiers used Birch tar to waterproof their boots). In the case of Tonnerre the perfumer uses it in far far higher concentration than anyone has before to produce a gunpowder effect. I love the intensity of it… and the smell of tar immediately reminds me of boats.
CG: Any highlights from the others? What is the most popular and why do you think that is?
LC: We actually use birch tar in a lot of our fragrances. That smokey tar effect is almost our signature so if you’re looking for fresh you’re in the wrong place…
Vi Et Armis is really popular, I think because it’s so ‘in your face’ and unusual - dark as all hell. And Fathom V is an intensely strange aquatic fragrance which seems to be doing well too. We use a lot of strong materials, a lot of wood, tobacco, spice and booze. I think people like our brand because we offer something very different to traditional fragrances.
CG: You also sell other products like candles and moustache wax, how did these come about?
LC: The candles were due to popular demand, we had a lot of people who loved the scents asking if we could make them, so we tried it, and it seemed to work. Again, it hasn’t really been about planning these products, they just seem to make sense, and so we do them. I like experimenting with ideas.
CG: Has it been easy to produce in the UK?
LC: The perfume industry is rooted in mainland Europe for sure, but there’s a rich history of British perfumery and some really interesting newer British brands.
It was always a key aspect of this project that we would only work with British companies, and that has made things tricky (and almost certainly more expensive) at times. But it can be done, and I’m proud of it.
Our perfumers are based just outside of London, our boxes are made by hand in Sheffield, our bottles are filled and packed in the Cotswolds, the candles are made in Derbyshire and the moustache wax cases were made in Coventry.
CG: What do you think about the current perfume industry? Is it welcoming to niche producers? Is there too much product?
LC: When I first launched the range we went to Paris fashion week to have a look around. I was talking to a guy who works for a very long established French perfume house and he said to me quite unequivocally, “now this is war”, which seemed pretty ridiculous at the time. However, as time has passed, I think he’s right. There’s so many brands all trying to get a piece of the pie and the pie isn’t all that big in the first place. New launches happen all the time and it seems like (as with everything else) attention spans are short and the temptation is to churn out ’newness’ (a word I particularly hate) to grab attention fleetingly.
In the next few years, we may see some of these brands falling away as saturation point is reached. In my mind, starting a brand is the easy bit. Establishing longevity and maintaining engagement with your customer over a significant period of time is much harder… Time will tell.
CG: Is there any advice you would give to men about choosing fragrance or how they apply or use it?
LC: As with anything, the most rewarding experiences are those you invest some time in… do some research, get some samples of things that intrigue you. Spend a bit of time getting to know the fragrance in different environments as the best fragrances can develop massively throughout a day. Don’t rush… I’ve always said that YOU should wear the fragrance, don’t let IT wear you which is particularly important with these strong, heavy fragrances. There just too much for some people… they should blend with your character somehow rather than take over.
CG: What’s next for Beaufort London?
LC: Put it this way, we have been researching Georgian vices… I can’t say much more than that but it’s going to be an interesting couple of years!
Coach Creative Director, Stuart Vevers, has been slowly building Coach's fashion credibility. Expanding the American brand's fashion collections, including a full menswear show in London, the British designer is adding cool to Coach's accessory heritage.
This season was all about contrast leather jackets and buffalo checked knitwear mixed with an element of 90s grunge.
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Credits - All clothes & shoes Coach AW16
Shot by Robin Forster on OlympusPEN