A mysterious style icon has suddenly appeared. Inhabiting the hallowed halls of Tate Britain, this new character looks like a badger from a Shakespearean fantasy. Called ‘The Squash’, it is an immersive installation combining performance and sculpture by 2016 Turner Prize nominee Anthea Hamilton.
The Squash has been created for the annual Tate Britain Commission, supported by Sotheby’s, which invites contemporary British artists to create new artwork in response to the grand space of the Duveen Galleries.
Left - All about the stripey Squash
Right - Loewe - Striped Asymmetric Cotton-Canvas Shirt - £795 from matchesfashion.com
Anthea Hamilton has transformed the heart of Tate Britain into an elaborate stage for a continuous 6-month performance of a single character, dressed in a colourful squash-like costume. Over 7,000 white floor tiles have been laid to span the length of the galleries encasing a series of large structures that serve as podiums for a number of works of art from Tate’s collection, chosen by Hamilton.
Right - The Squash has seven costumes designed in collaboration with Creative Director Jonathan Anderson at the fashion house Loewe
The artist is influenced by the early 20th century French writer and dramatist Antonin Artaud and his call for the ‘physical knowledge of images’, it is this bodily response to an idea or an image that she wishes to examine in The Squash.
Hamilton has designed seven costumes in collaboration with Creative Director Jonathan Anderson at the fashion house Loewe, that incorporate the colours and shapes of varieties of squash or pumpkin. The performers get to select a costume each day, informing and reflecting their individual presentation of the character as they inhabit the space.
On trend, The Squash is rocking vertical stripes and ruffled shirts in his clinically tiled play area. Get the look with a striped shirt or go for white ruffles; the bigger, the better.
Right - Burberry - Herringbone Cotton Tie-Neck Riding Shirt - £495
Left & Below - The Squash gets to play in Tate Britain's Duveen Galleries
Like Stripes? See The Beetlejuice Striped Suit
Sliders are here to stay and while the design stays pretty much the same, for many, it’s all about the branding. The majority of brands make it all about them, but these, from Isabel Marant’s first men’s collection, are the footwear equivalent of a conversation pit. Think Joe Colombo furniture and Space Odyssey.
While pricey, they are made from leather and I love the homage to some of the footwear greats of the 20th century. Here's also a mini footwear history lesson too.
Left & Right - Isabel Marant - Hellea Quilted Tri-Colour Leather Slides - £305 from matchesfashion.com
Left - 1938 Cork-layered sole and heel covered in multi-colored suede. This style was designed for the London department store Fortnum & Mason and was a variation of the model that Ferragamo created for Judy Garland.
Left - Mid 1970s Terry De Havilland Sima 1 is pure glam rock. The tiered cork wedge is an outlandish and timeless classic.
See a top inspired by Memphis
Milan gave us handbags, more shiny coats and reasons to look like a tourist. Here goes AW18:
Ooooo, look at you! Bags have been getting smaller, so we may as well call a spade a spade.
From Left - Fendi, Palm Angels, Prada
The future is wipe clean and the quicker you get your head around this, the better.
From Left - Gucci, Fendi, Prada, Versace
Below - Both Moschino
Like a walking 70s airline logo.
Below - Both Fendi
This could be one of my favourite trends of the season. Not blurred lines, but distorted ones.
Above From Left - Fendi, Ermanno Scervino, Marni, Moschino
The new caping.
Left - Gucci
Nothing wrong with looking like a tourist in AW18. The worst the better. Just don't look up!
Below - Fendi, Prada, Prada
Any blanket looking design cut into a coat or simply just thrown over your shoulders.
From Left - Fendi, Gucci, No.21, Marni
Below - Marni
What did Oscar say about resisting temptation? Dress like you haven't.
Below From Left - Gucci, Dolce & Gabbana, Dolce & Gabbana
This is part normcore, part 80s, part 90s, part...
Fear & Loathing lenses. I wore these all last Summer and they ain't going anywhere.
Below Both - Dolce & Gabbana
I haven’t seen McDonald’s Hamburglar for years, maybe he’s been keeping a low profile, anyway, he’s the inspo. for this season’s shades.
Left & Below - Illesteva - Vinyl - £195
These thick, oval 'Vinyl' frames from Illesteva - the name is a take on the hip-hop expression 'Illest evuh' - are the perfect stylish disguise. Today’s sunglasses are all about making you feel like a character and orange
lenses not only brighten your day, they also add a retro, mysterious touch to your look.
Right - McDonald's Hamburglar - Where has he been?
Founded by designers Daniel Silberman and Jus Ske in 2010, Illesteva is grounded in their backgrounds of music, fashion and photography. New York-based, their eyewear is crafted in premium materials like titanium, buffalo horn and bamboo.
These are firmly on TheChicGeek's down-low SS18 Hot List.
See another character inspiring TheChicGeek this season The Beetlejuice Striped Suit
More eyewear inspo? The Chemistry Teacher Shades
Patterned silk shirt open to the waist, long gold necklace drawing the gaze to the chest and hair slicked back like a wannabe Lothario, this retro idea of male sexuality is having a beautiful renaissance.
Think more Harry Styles than Simon Cowell. It’s part of our fascination with masculine images: a Joy of Sex era cliché of what a man should look like. It also complements the return of moustaches, necklaces - see TheChicGeek’s Medallion Man - and hirsute bodies.
Two young and stylish brands have appeared to facilitate this new trend. Specialising in silk shirts, they are pioneering a new idea of male sensuality, and promoting this sensuous, form-hugging material, not to mention the way it takes prints, and giving you many seductive reasons why it should be the fulcrum of your Summer wardrobe.
Left - MrSloane - Tom Cat Jade - £250
A mysterious ‘MrSloane’ has appeared. Helen, the designer behind the brand, who would rather remain anonymous, says, “the enigma of ‘MrSloane’ was largely created as a fictional character, either male or female, hence the way the MrSloane label is spelt ‘together’ ...ie Mr or Mrs..depending on how you read it.”
Right MrSloane - Kimono - £250
Loosely referencing the 70s screen play ‘Entertaining Mr Sloane’, which features an ambiguous relationship between the film’s 3 main characters, it also echoes the ‘his or her’ element of the shirts. Newly launched in December, 2017, her aim was “to create a brand which was reflective of my own personal tastes. Fusing the grit of rock ’n’ roll legends doused in overt glamour and danger, influenced by the NY Disco scene; the collection reflects a melting pot of inspiration combined with rare vintage finds, including antique kimonos, Oriental objet and 70s silk scarves” she says.
What made her want to start her own brand of silk shirts? “A lack of choice in the current market - I either scour ‘Designer Vintage’, in order to find good enough fabrics, which are not 70s polyester, and that led me to create my own label.” says Helen.
Maximillian Robinson launched his eponymous label last year. Only 21, his aunt is handbag queen, Anya Hindmarch, he says, “growing up I have always admired fashion and, more specifically, those that challenge the norms and create striking collections. I wanted to do something unique and identifiable, I’ve always loved what many would describe as ‘loud’ prints and it’s these prints that I have designed which is what gives Maximilian Robinson its name.
“From the beginning I wanted the debut collection to stand out, be full of colour and offer something different. I saw silk as the answer. The way the shirts hang offers something completely different to the norm, along with the versatility of the material. It never looks out of place, whether you’re on a beach or out for dinner,” says Max.
Left - Maximillian Robinson - The Snow Leopard - £280
Many guys see the silk shirt as distinctively feminine or hard to wear and are therefore quite reluctant. “Sometimes people are sceptical about some of the loud prints, but as soon as they put one on they fall in love!” he says.
“I think there is a preconception that silk is always very shiny and too feminine,” say Helen. “The printed silk shirt is very flattering, ours come with a slightly deeper cuff and carefully considered collar, not too retro, nor too mean!” she says.
So, how to wear it? “I’d definitely encourage guys to take the silk shirt plunge and embrace the look. Not only do silk shirts look super cool, but they drape so well on the body, (especially the sleeves) and feel incredible against the skin..unlike a lot of vintage pieces which can be synthetic,” says Helen.
Right - Maximillian Robinson - The Midnight Black - £250
“My advice to any guy would be, wear unbuttoned, as low as you dare, just ensure manscaping and grooming is in check. I would advise keeping the fourth button safely fastened unless of course you’re on ‘Holiday’ and then proceed with caution. Three buttons left undone should be enough for most men, no matter how body confident they are.”
Max says, “I’ve seen them worn in so many different ways, as I said, that’s why I love working with silk, the shirts look great casual with a pair of jeans, or for dinner or can be dressed up with a jacket, but also look at home on top of swimwear on the beach.”
The silk shirt is a luxurious and confident treat of an item. It’s about playing around with male sexuality, with a knowing wink, and offers a fun return of the shirt. The way it drapes, hugs and falls on the upper torso is asking for it to be opened.
Try one and, then ask yourself, "how low will I go?!"
See Label To Know - The Silk Shirt Company - here
If you’re a stylish man you need a vertically striped suit in your wardrobe, this season. Trust me. Taking inspiration from one of Tim Burton's most stylish characters, Beetlejuice, the black and white is a little harsh and a bit too fancy dress, so it's lucky Pretty Green has this handsome two-piece in navy. One part Beetlejuice, one part 1960s Mod.
I’ve been looking for a nice vertically striped suit since last Summer when it became clear this was going to be a major trend and this fits the bill perfectly. The vertical stripes make you look taller and slimmer and, in this darker navy colour-way, it’s more evening and dressy. Wear with a simple T-shirt and loafers.
Left & Below - Pretty Green - Striped Single Breasted Blazer - £280, Boating Stripe Tailored Trousers - £135
See more character inspiration - The Hamburglar Sunglasses
As another couturier passes away - Hubert de Givenchy - I wanted to write a piece I’ve been thinking about for a while. With only Lagerfeld and Valentino left, men who have touched or worked with the great couturiers of the 20th century, is it time to leave couture behind?
It feels like couture is out of touch with today. This isn’t about the vast sums of money it costs, even though that is a good point, it’s more about the creative rut that many couture houses have found themselves in.
Left - Hubert & Audrey
It used to be an area for experimentation and fantasy - remember Galliano’s Diorient Express at Dior and all the models dressed like Henry VIII or a Native American chiefs arriving by steam train? - rather than pretty clothes for people with more money than they know what to do with.
You only have to look at ‘Red Carpet’ dressing to see the state of couture. It’s dull. It’s boring. It’s safe. Of course, it’s beautifully made, but what exactly is couture adding to ‘fashion’?
The Oscars used to have a few fashion ‘moments’ worth staying up for, but it became a battlefield of money and sponsorship, but also, with a few rare exceptions, people more interested in their own vanity and safety off the worst dressed lists. Many of these people aren’t sophisticated enough to wear something challenging or directional.
Couture needs a starting point of anything goes. It should be about experimentation and wowing people with technical skills and craft. I know it needs a commercial element, but it’s never going to be a big seller. In its nature it needs to keep the numbers low, otherwise, what else are you paying for?
There are enough ‘dress-makers’ or newer brands like Ralph & Russo for the pretty dress crowd. Brands need to think what it brings to their image and whether it’s relevant going into the 21st century.
When Hedi Slimane was announced as the new Creative Director of Céline, it was also announced he would be doing couture. Really? A house that has never done couture before, does the world need anymore? This is more a case of massaging an ego than bringing anything new. It’ll just be a higher price point of the same things, like what he did at YSL.
Gucci is a brand which would be worth doing as couture because many of the ideas can’t be manufactured to the quality you’d expect of the design. Couture would take the pressure and lid off this and allow the designs to be as good as they should be.
I agree with keeping skills alive and I, wholeheartedly, believe in craft, but couture just doesn’t have the energy it once had. Couture should be a showplace of experimentation rather than a branding exercise to continually pump out the same thing.
I think couture is currently a reflection of the current lack of great designers. Sadly, without more McQueens coming along it will just be more variations of the same beautifully made things.