Ryan Gosling topped TheChicGeek's Best Dressed Oscars list last year- here, and, again, his laid-back confidence shows with the reintroduction of the fun and retro ruffled shirt. He hasn't gone full-on Jared Leto Gucci, here, but, this is a wearable interpretation of Gucci's influence on menswear right now.
You can pick these shirts us from vintage shops or online and they add a touch of personality to a formal dinner or prom suit. Add a large floppy bow tie and you'll be the life and soul of the party.
Left - Ryan Gosling in Gucci Oscars 2017
You can never have enough rainbows in your life. Paul Smith’s SS17 collection was a confection of coloured stripes and rainbows as a continuation of the love and peace themes that take him back to his shaggy-haired youth.
This mesh T-shirt is perfect for the summer with a design looks like a floor pattern by the artist Jim Lambie. Peace out!
Left & Below - Paul Smith - Men’s Multi-Colour Mesh Stripe T-Shirt - £260
This tank top is kinda amazing. The deep V is back, (check out TheChicGeek's favourite cricket sweaters - here) in knitwear, this season, and this mongrel-type confection of clashing colours and stripes is the perfect bad taste piece for the season. Prada's knitwear is really strong at the moment - the rainbow cardigan from AW16 - here - was a favourite, and this just continues the lust. Wear with sportswear. Clash.
Left & Below - Prada - Intarsia Wool Vest - £655 from MRPORTER.COM
In last week’s Evening Standard, Hatton Garden jeweller, Sam Hunter, brother of director, Sophie Hunter, wife of Benedict Cumberbatch, said, “People are bored of the little blue boxes, extortionate prices and minimal design that is now completely characterless,” he went on “It’s the name you’re paying for and nothing else… It’s fine if the piece is exquisite, but they’re producing less and less of those!”
He was, of course, talking about the American jeweller, Tiffany & Co., but he could have easily have been describing the majority of modern luxury brands.
There was a time when you wanted everybody to know your brand. There was a time when success was built on brand awareness. There was a time when consumers wanted you to know the brand they were wearing in order to convey status, but times change and this awareness and ultimately saturation has breed predictability and boredom.
For example, I was recently in Berlin. I walked past their fanciest department store, KaDeWe, and in the windows were great looking clothes. I always like to try and guess the designers and then, like a museum piece, look at the labels on the glass. I didn’t recognise a single one of them. In the past you would dismiss this as being a second rate store or inferior because the ‘big labels' weren’t there, but instead it was far more interesting and refreshing.
Inside was another story. The usual luxury shop-in-shops: Bottega Veneta, Valentino, Gucci, acres of marble and the same look, the world over, but the element of the unknown is what will get people off their sofas and into stores.
It’s much more exciting, today, to not recognise a label and go purely on quality and design. It’s a sign of good taste and a good eye rather than blindly buying a ‘name’. It's also a sign of confidence. But, it’s hard to stay unknown forever and why shouldn’t brands that are good be celebrated, but it’s the level to which they are exposed and rely solely on the name or label that I have a problem with.
A good example would be the Italian brand, Slowear, soon to open another store on London’s Marylebone High Street, they are understated and their multiple labels - Incotex, Montedoro, Zanone - aren’t household names and don't seem to want to be. Slowear, while not cheap, offers better quality, fit and value than clothes at twice the price. This isn't about being a contrarian and always different and obscure. It's about brands that have a humility, aren't a vehicle for a designer's ego and are understated with a ‘we’re too busy making great clothes-to-focus-solely-on-the-label’ attitude which makes it very democratic and far more interesting.
Go seek out the unknown. I've never heard of them. Tell me more.
So, Raf Simons unveiled his first full collection for Calvin Klein. As about exciting as New York fashion gets, it was an accomplished - of course it was, he's had plenty of experience - collection which, no doubt, Americans are breathlessly hailing as the 'New Look'. but it just looked like yet another Raf Simons collection. Where was the sex?
From Left - Bruce Weber advert for Calvin Klein underwear (1982), FW17 Calvin Klein Collection
Raf Simons showed his own eponymous menswear collection, the week before, with the same leg-warmers-as-sleeves idea he put on the catwalk here. This Calvin Klein Collection was wearably different, yet without any of the minimal sex appeal that Calvin Klein was built upon. Who could forget Kate Moss' nipples in that sheer, simple dress circa '93?
Raf Simons should have added athleticism to the collection in the casting of the models to differentiate between his and this collection. Maybe that'll be coming in future advertising, but if Raf Simons is going to connect and drive sales with the masses who have never heard of him and probably don't care about him, then it needs sex.
Fashion has a strange relationship with sex, but Calvin Klein pioneered the objectification of men and their bodies in advertising through the 80s and 90s. What looks quite tame, today, was revolutionary at the time and the first time men and women really looked at men's bodies.
But, whether it's the 80s or, as Instagram proves, today, people will never tire of looking at firm and worked out men's bodies. Ultimately, as always, sex sells and that's what the new Calvin Klein needs.
Left - Calvin Klein Obsession advertising (1987)
It all started with Raf Simons with his AW16 collection and, now, it’s the knitwear neckline du jour. The quintessentially British cricket jumper has been grunged up and distressed and become less gentleman's summer sport and more urban and edgy thanks to designers such as Alessandro Michele at Gucci. Brands such as Stella McCartney and Kent & Curwen have all done their interpretation of the cricket V and there's plenty of mileage in this style as many brands such as the Spanish knitwear brand, Sweaterhouse, is showing them for AW17. If you don't want to pay designer prices then pop to your local sports store, university or school shop and buy the largest size they have.
Left - Raf Simons AW16
Left - AMI - £225 - matchesfashion.com
Below - Prada SS17
Left - Stella McCartney - £570 MRPORTER.COM
Left - Gucci - £560 - MRPORTER.COM
Below - Kent & Curwen - £495 - MRPORTER.COM
Left - Raf Simons AW16
Left - Smart Turnout - £149
Below - Cambridge University - Magdalene College Cricket Sweater - Ryder & Amies - £110
This bag is the bomb. Actually, Troubadour should call this the ‘Bomb’, as it hasn't got a name.
British accessories brand, Troubadour, produce some great luggage and accessories and has, over the last few years, been growing their range and developing and enhancing their products.
I’ve been watching their progress and they know exactly what their stylish customers want: capacity, functionality, quality and understated branding.
If this was a ‘designer’ bag it would easily have a 1 in front of the number. It’s a giant holdall slash rucksack that could easily hold a week's holiday or trip. Stitch-free straps are injected with technical rubber for comfort and an external side pocket, top flap and internal mesh side pockets complete the design. The fabric body is strengthened by the crossing over leather straps while keeping the weight down.
You’ll look like a chic Action Man and carrying it will be the most stylish workout you’ve ever had. Now, squat!
Left & Below - Troubadour - Fabric + Leather Duffle - £895